You’ll never believe wot happened is always a great way to start……

There’s a story I know. It’s about de earth en how it floats in space on de back of a turtle. I’ve heard this story many times, and each someone tells the story, it changes. Sometimes the change is simply in the voice of de storyteller. Sometimes the change is in de details. Sometimes in de order of events. Other times it’s de dialogue or response of de audience. But in all the telling of the tellers, the world

 never leaves de turtle’s back. And de turtle never swims away.

[revised excerpts from] the truth about stories: a native narrative [according to] thomas king

[kama ni ukweli…..]

Consider these dreamscapes of using the arts for educational-paradigm shifts in harvesting Pan-Afrikan memories of legends like Audre Lorde, Makmende, Malcolm X, Mandela, Marcus Garvey na Mbuya Nehanda:

kwasababu [because]

when WE speak we are afraid
our words will not be heard            nor welcomed
but when we are silent         we are still afraid

So it is better to speak
remembering
we were never meant to survive

[in de spaces between: exploring how to not only reconcile but embrace queer/trans identities na (with) akina baba, mama na watoto WA– Afreeka]

    1. co-[re]create  (a tribute to those among us who carry the sage secrets of loving like) The Black Unicorn – in #Makmende Amerudi [with d’bi young.anitafrika en a map to the door of no return: notes on belonging – in dub ]

starring Ngozi Paul as  Britannia Zimeisha

[and Tsholo Khalema as Nneke Dumela in #theNekkydtruthis]….

(Not-so) long ago in a thriving learning village within a global matrix of farmers en soldiers of love, mo’ malaikas joined the pan-afrikan performing arts institute [in Cape Town] as artists-in-residence.

like [Check] dis’ sista we love, respekt en admire so…. ngozi paul is an actor, writer, director and executive producer, best known for her celebrated role of starr on the hit canadian show ‘da kink in my hair – a series which she co-created and executive produced. a true renaissance woman, ngozi is committed to telling universal stories through her tuned afrocentric perspective. her resolute commitment to telling ethnodiverse stories is apparent in the compelling body of work. ngozi has been named one of toronto’s ‘top ten actors’ by now magazine, and nominated for ‘best actress’ at u.k.’s black international film Festival for her powerful performance as susan in bayan. on the stage, ngozi is a proud recipient of stratford festival’s ‘tyrone guthrie award’. ngozi paul was an integral member of the original creative team of canada’s first black sitcom, lord have mercy!, which was nominated for two gemini awards including best comedic series. as the founder and president of ngozika productions, ngozi has created diverse content. ngozika productions is currently working on an innovative webbased series to be launched later this year and its debut feature film.

2.  Re-write (de hadithi of) Britannia zimeisha as “First mke (-si-mume)” [#nohomo] na Makmende as himself in (de mama of dis) ‘Amerudi’ series: where he is married to two of the Laydayz (na Godfrey) na Abscondita ni de fourth ‘mysterious’ wife aka. Fairy god sista [#notonthedownlow] in dis ‘big love(upendo)’ family

[herstory basi ni hadithi zetu….kama asili ya malaika, of gate-keepers na griots]

hadithi? hadithi? paukwa! pakawa! hadithi njoo…..

3.

Celebrate milestones in the growth of things like our love for each other, our families and back-to-Afreeka (is-the-future) movements.      [Hadithi kama…..Nakumbuka]

I remember when GALCK was officially launched in December 2008, still riding off the magic of moments-for-life like those, participating in en witnessing years of Under [en in the mainstream mis-reported/werd-on-the]- ground, rebuilding en teaching communities

Nakumbuka the touch of heaven shared with not only those that gathered to commemorate the birth of a queer/trans center of community work in the moyo wa[heart of] Nairobi but those that wished they were there and shared love en mo resources with US in the struggle for Afrikan liberation…for this en so much mo, I yam infinitely grateful.

4.     Take back de re-post.

It is clear that despite the fragmentation and marginalisation that modernity has imposed on the people of Africa, elements of Ubuntu still exist in African societies through languages, cultures and knowledge systems. Ubuntu seeks a restoration of balance in relations between individuals inter se and between individuals and nature. In the new situation in which the holistic individuals now find themselves united in solidarity – no longer alienated and isolated – they find Abantu in existence with elements of Ubuntu still with them. The holistic individuals find themselves already embedded in the culture of Ubuntu……

Such a new environment requires that in order to fit in the new combined human environment of interconnectedness and wholeness, such new combined individuals have to make their rules of a restorative society on an on-going basis.

Already academic researchers are beginning to examine this new situation by exploring the parallels between online social networking and the practices of ‘tribal’ societies that McLuhan envisaged. In the collective profile-surfing essential for ‘face-booking’ and ‘my-spacing’ in which they try to engage in ‘friending’, they begin to see the resurgence of ancient patterns of oral communication. ……

As Archbishop Desmond Tutu once declared about the philosophy of Ubuntu, which he called ‘this thing’:
‘Africans have this thing called Ubuntu…the essence of being human. It is part of the gift that Africans will give the world. It embraces hospitality, caring about others, willing to go the extra mile for the sake of others.
We believe a person is a person through another person, that my humanity is caught up, bound up and inextricable in yours. When I dehumanise you I inexorably dehumanise myself. The solitary individual is a contradiction in terms and, therefore, you seek to work for the common good because your humanity comes into its own community, in belonging.’…….
It is clear that the new society cannot reproduce a society that lived by the principles of Ubuntu for that was a qualitatively different society. But surely there are some lessons that can be learnt from that experience for the new society that those engaged in revolts seem to be demanding.
[ excerpts of The transformation of the global system and its IMPLICATIONS FOR AFRICA by Dani Wadada Nabudere http://www.pambazuka.org/en/category/features/72529 ]

#ukweli ni: there’s some times I feel mo’ like a lone wolf from a pack of [structurally] dysfunctional hybrids, seemingly isolated/marginalised…. yet always

because of ‘this ting called ubuntu’ that’s neva got me lonely in dis concrete jungle surrounded with the wealth of Bredrin en dadas, children en elders, healers, righteous teachers, warriors en lovers wherever I live, work en play in…..

Najua I ain’t jus lucky, I yam [en we are] blessed. For that en so much mo’ ai yam infinitely grateful for….

There’s a(nother) story I know. It’s about the earth and divine re/visions of rainbow nations in urban hubs na vijiji kama [villages like in]  Abuja, Addis Ababa, Brooklyn, Cape town, Cairo, Dar-es-salaam, Jo’burg, Kampala, Kigali, Kingston, Lagos, Nairobi, Rajasthan, Tdot, Tripoli [and wherever there are those spreading love, hope and positivity in abundance]……these are (some of) the  post-cards of Makmende’s adventures that I will remember tomorrow.