(Reposted with big love en respekt from) Chuka Nnabuife on why 2011 is the Year of Interesting Books Coming

NEXT year will be eventful in the African books section. Already publishers are introducing books they will release in the first half of the year. Amazon will put out a new anthology containing the works of Chinua Achebe, Chimamanda Ngozi Adichie, John Coetzee, Nardine Gordimer, Ben Okri and other Caine Prize winning writers. Ngugi wa Thiongo will also come out with a new book due for release in February 2011 on the Amazon list.

In Pambazuka Press, an about to be released book, No Land! No House! No Vote! Voices from Symphony Way, captures the tale of resilence while throwing the reader back to memory of the segregative Apartheid rule in South Africa.

The anthology of factual tales captured in both poetic and prose (media feature report format) narrates the several accounts of Cape Town, South Africa’s Symphony Way pavement dwellers who, like in film story, found themselves catapulted from their hitherto poor settlement to an better developed estate upon the end of the Apartheid only to be pushed out of the houses almost as suddenly as their fortune changed.

The publishers promote the work thus: “This anthology is written by shack-dwelling families in Cape Town who were moved into houses but soon afterwards evicted again. They organised the Symphony Way Anti-Eviction and here write about their experiences.

 “Many outside South Africa imagine that after Mandela was freed and the ANC won free elections all was well. But the last two decades have led to increased poverty and inequality. Although a few black South Africans have become wealthy, for many the struggle against apartheid never ended because the ethos of apartheid continues to live.”

The book follows several hundreds of shanty-dwelling families in Cape Town who, early in 2007, were moved into houses they had been waiting for since the end of Apartheid. But soon they were told that the move had been illegal and they were kicked out of their new homes. In protest, they built shacks next to the road opposite the housing project. And, soon a vibrant settlement of hundreds of ramshackled huts inhabited by organised protesting settlers blossomed there. It became known as Symphony Way. Home ground of Symphony Way Anti-Eviction Campaign, whose membership vowed to stay on the road until the government gave them permanent housing. Eventually, the tales from the protesting slum-dwellers turns out a warm, close-knit and eventful one – full of vibrant communal lives, simmering relationships, love, hate and blood ties. The book also rubs off some disturbing feeling that the robust but poor settlement was forcefully moved to make the country host last summer’s football’s World Cup without what the authorities deem an odd sight for tourists.

Promoters’ of the book who inform that its audience target include anthropologists, activists, campaigners, NGO-workers, academics, journalists, commentators state: “This anthology is both testimony and poetry. There are stories of justice miscarried, of violence domestic and public, of bigotry and xenophobia. But amid the horror there is beauty: relationships between aunties, husbands, wives and children; daughters named Hope and Symphony. This book is a means to dignity, a way for the poor to reflect and be reflected. It is testimony that there’s thinking in the shacks, that there are humans who dialogue, theorise and fight to bring about change.

Two Symphony Way evictees were featured in a Guardian article of 1 April 2010: Badronessa Morris: ‘The police treat us like animals. They swear at us, pepper spray us, search us in public, even children. At 10 o’clock you must be inside: the police come and tell you to go into your place and turn down the music. In my old home we used to sit outside all night with the fire.’

Jane Roberts: ‘It’s a dumping place. They took people from the streets because they don’t want them in the city for the World Cup. Now we are living in a concentration camp.’

No Land! No House! No Vote! Voices from Symphony Way set for release in March 2011 is available for ebook order in United Kingdom.

Another up coming book of interest from the same publishers is African Sexualities: A Reader, by Sylvia Tamale. In the work Ms Tamale probes, the perculiar traits of African sexualities with the aim “to inspire a new generation of students and teachers to study, reflect and gain fresh and critical insights into the complex issues of gender and sexuality.”

Promoters say the book seeks to open new frontiers of thinking about African notiopns of sex. African Sexualities stretches the space to several spheres of multidisciplinary scholarship.

The book with authors who are scholars, researchers, professionals, practitioners and experts from different regions of Africa and Africa’s Diaspora comes in themed sections, all introduced by a framing essay.”

The authors use essays, case studies, poetry, news clips, songs, fiction, memoirs, letters, interviews, short film scripts and photographs from a wide political spectrum to examine dominant and deviant sexualities, analyse the body as a site of political, cultural and social contestation and investigate the intersections between sex, power, masculinities and femininities. The book adopts a feminist approach that analyses sexuality within patriarchal structures of oppression while also highlighting its emancipatory potential.

“As well as using popular culture to help address the ‘what, why, how, when and where’ questions, the contributors also provide a critical mapping of African sexualities that informs readers about the plurality and complexities of African sexualities – desires, practices, fantasies, identities, taboos, abuses, violations, stigmas, transgressions and sanctions. At the same time, they pose gender-sensitive and politically aware questions that challenge the reader to interrogate assumptions and hegemonic sexuality discourses, thereby unmapping the intricate and complex terrain of African sexualities.

“The blend of approaches and styles enhances the book’s accessibility and usefulness for teaching as well as allowing for historical and textual contextualisation.”

It is written for audiences in the higher education and postgradute levels. Due date of emerging from press is June 2011.

Among other books coming from Pambazuka and Fahamu books are African Women Writing Resistance, An Anthology of Contemporary Voices an anthology of African-born contributors who “move beyond the linked dichotomies of victim/oppressor and victim/heroine to present their experiences of resistance in full complexity: they are at the forward edge of the tide of women’s empowerment moving across Afrika.”

My Dream is to be Bold, a feminist oriented work is among them as well as Dust from our Eyes an Unblinkered Look at Africa, a Joan Baxter tale of the diversity of Africa and the resilience and spirit of its people.

From Citizen to Refugee, Uganda Asians come to Britain by Mahmood Mamdani is another nostalgia awakening book to be expected. It dwells on the seriously embattled life of Asians in Uganda during the eventful dictatorial reign of the late Gen. Idi Amin in the 1970s. It is a re-publication of 1972’s original. The author, Mamdani, an eye witness, describes the feelings experienced by Uganda’s Asians and tells of their camps’ political culture.

[http://www.compassnewspaper.com/NG/index.php?option=com_content&view=article&id=71700%3A2011-year-of-interesting-books-coming&catid=54%3Aarts&Itemid=694]

http://www.montrealgazette.com/life/Montreal+protesters+rally+support+WikiLeaks/3999493/story.html

by michael hureaux perez

We must build a militant grassroots movement rooted in the working majority that is completely independent from the political organizations dominated by the big business classes.”

 

How good it is to know that if the world were burning to a crisp, the owners of society would let us know before we were completely toasted. First the oil spill from the late Deepwater Horizon was spewing out at a thousand gallons a day, then it was five thousand gallons a day, and today it is quietly admitted that it may be upwards of a hundred thousand gallons a day. Not that I’m shocked, you understand, I expect nothing from the ruling class of this country after Hurricane Katrina was used to purge better than a thousand black people from the planet five years ago.

What does intrigue me, however, is the banality of corporate thugs like British Petroleum, who announce such news with the demeanor of a waiter letting you know the short order cook burned your toast. As for the so-called democratic government of the United States, which should be arresting these criminals at this moment, we are treated to yet another display of Obama’s stentorian skills.

Un(/)fortunately, you don’t need a weatherman to know which way the wind blows.

  

http://www.blackagendareport.com/?q=content/eshu%E2%80%99s-blues-make-them-drink-it 

 The current ruling class of the United States of America is the most corrupt, bloated and incompetent group of gangsters to oversee this country since its founding. Their public face may be sleeker and wary of its “carbon footprint,” they may drink green tea and jog with their kids seated in ergonomically correct strollers through city parks, but they are as venal – nay, they are more venal than the top hatted, cigar puffing fat cats that were lampooned in the socialist press a century ago.

The robber barons of that era at least had enough social consciousness to know that public libraries and public hospitals were a needful thing. The current generation of new age merit class capitalists daily configure new strategies for selling off the public sector, lock, stock and barrel.

Market efficiency will take care of all, na?

 

So welcome to the new efficiency under the predator drone-guarded skies. The new generation of market gurus couldn’t foresee the depth of the banking crisis, they couldn’t foresee the endless nature of their atrocities in the Near East, they couldn’t foresee the disaster that has befallen the Gulf of Mexico. (Gaza, Johannesburg, Mtwapa, Ayiti…….)

Amazing, isn’t it, how people who were allegedly elevated through the magic of the marketplace can’t see a speeding train when they’re standing in front of it? The truth is that our new ruling elite do not care what happens to the economy or the ecology so long as their investment portfolios are yielding high dividends.

 

Certainly the charismatic they put in the White House this last go round wasn’t about to cop to how bad the mess in the Gulf of Mexico is until just a few days ago.

Obama’s response was his usual pursing of the lips, “cluck, cluck, cluck,” and a stentorian reminder to the hup-ho that from now on, they’ll have to play nice. Who needs manatees or pelicans anyway?

Obama’s daily concessions to the ruling gangsters have become the stuff of legend. Even people who never thought he was about much are perpetually astounded at what an opportunist and bloodstained piece of work he’s actually become. He is, in essence, the sort of black politician that all too many white folks – and unfortunately, a great many black people – have come to love and cherish as the best of all possible worlds under the current social order. He’s so obviously disgusting that many of us have grown tired of the topic. He’s just a symptom of our eighteenth century geniuses, Panglosses talking endlessly about their best of all possible worlds.

Our new age Panglosses have basically declared that what we have leading us in this country is the best that anyone can possibly do under the current arrangement. Unfortunately, if this daily grenade range is the best they have to offer, then I can only chime in with the terrible Leon Trotsky, when he observed seventy years ago that if global warfare and the common ruin of nature and humanity were required for the capitalist system to thrive, it’s time it perished.

A triad of transnational behemoths with the appellations Transocean, British Petroleum, and Halliburton have birthed an environmental catastrophe that will in turn imperil the hardwon economic gains of working class people in the deep southern United States for generations. The spill in the Gulf poses a menace to the economies of people of the Caribbean basin: Mexico, the Central American nations, the north of South America. The people who are responsible for this mess are vicious, and we must prepare to make them answer for their crimes against the planet and its peoples.

Obama’s daily concessions to the ruling gangsters have become the stuff of legend.”

So once again: There has been enough “skinnin’ and grinnin’,” and enough group deception around the actual intentions of the so-called “democratic” party. As usual, even as rivers of oil daily threaten not only the crabbing and shrimping industries that have fed our peoples along the Gulf Coast for generations – and not only as such irreplaceable creatures as the brown pelican, the blue fin tuna, and the manatee are threatened with extinction – the “democratic” party leadership stands with its hands in its pockets, and continues to mildly suggest that that the actions currently being undertaken by British Petroleum may not be adequate. Never forget: our ruling class knows that an unspeakable atrocity is palatable when it’s trotted out and played in minor chords.

Our peoples in this country must be made to understand that the destruction of a maritime industry that has kept the Southeastern states in the U.S. relatively solvent for generations and the slow immolation of an entire aquatic ecosystem is a crime against all of nature and all of humanity.

  

We have to stop fooling ourselves. There is a class war going on against our peoples and against the natural world, a calculated gamble that is being pursued by the ruling classes of this country.

If we are to survive, we are going to have to see this game, and raise the stakes………….

The eternal question is: who’s got the plan? There are lots of planners, there are lots of ideas in contention. At the very least, each respective strategy we adopt must retain as its watchword the complete independence of the political organizations of the wage earning majority from the political organizations dominated by the big business classes.

But I would like to modestly suggest that we begin by conducting a militant defense of the public sector of the economy through whatever grassroots community and labor organizations at our disposal – once again, with the notable exception of the “democratic” party, which is not an organization that belongs to the wage earning majority, nor will it ever be. Let’s get clear on that. A lot of us are going to go weak in the knees when the “democrats” break out with their usual “the monsters are coming!” show two years from now when the GOP rolls out creeps like Mitch Romney and Sarah Palin. Let’s declare their agenda irrelevant and organize differently. Let’s build upon what we do as a militantly independent grassroots movement.

The ‘democratic’ party leadership stands with its hands in its pockets, and continues to mildly suggest that that the actions currently being undertaken by British Petroleum may not be adequate.”

Obviously the only ideas that are excluded are racist, classist, sexist, homophobic, shapist, or anything else the capitalist system has come up with to get us to kill each other. No more false unities with people who clearly hate us. Let the polarization that actually exists be open, and let it declare itself openly under the rubric of a political organization rooted in the wage earning majority. There are beginning efforts like this happening in Pennsylvania and North Carolina right now, and there can be no doubt that this will be a long arduous road. All the same, we must get started.

We have to build a grassroots political movement that bases itself upon the energies of the wage earning majority, one that conducts a militant defense of the public sector in this economy. The ruling elite don’t want us to have any political power. Not any. Defend our unions, defend our community organizations, build, defend and expand the public sector of the economy.

The terrible Che Guevara used to say that to accomplish much, one must lose everything.

But be very clear: there are things we have no business losing, and the natural world is foremost among  them. We live in a moment when the ruling class of the most technologically advanced country on the planet is willing to flush all of nature down the toilet in order to preserve its imperatives. We cannot allow that. If all I’m talking about here is what amounts to an existential choice for most of us, maybe that’s going to have to be enough to get some people going. The choice is one of being or nothingness.

As for the fools who are destroying the Gulf of Mexico, who believe as the fool Ayn Rand used to argue, that pollution is good for the global economy – make them drink it.

 BAR columnist michael hureaux perez is a writer, musician and teacher who lives in southwest Seattle, Washington. He is a longtime contributor to small and alternative presses around the country and performs his work frequently.

 Email(s) to: tricksterbirdboy@yahoo.com.

 

 

 

Hadithi? Hadithi? Nipe mji…..nilienda isiolo na kampala, kiambu na malindi, nilirudi nyumbani, for the truth about stories is, they’re all we know, and (where) our heart is,

Leo ni leo….kweli si….

With all the g8, g20, pride and world cup fever in the air, I give thanks for the ‘other’ community festivals where generations and diverse people are celebrating. Like, the annual National Aboriginal day on June 21 & Multicultural day at the Peace Theatre on June25th, where friends and neighbours will come together to entertain and re-educate not only youth, but every one of US.  Ase. Ase……

http://peace.twomangoes.com/

the truth about stories (as a native narrative) is, they’re all we are…[like in this hadithi]

there’s a mood sweeping this nation, in which minority groups are demanding that they be perceived as people. We concur in this mood and we trust that it will not be long before the residents of Kadoka shall have advanced to a stage where they, too, can begin to treat their neighbours as people.

community of wanblee, south dakota

 I respect other religions, but I don’t like to see them denatured and made into something else. you’ve made a blondie out of Jesus. I don’t care for those blond, blue-eyed pictures of a sanitised, cloroxed, ajaxed Christ. How would you like it if I put braids on Jesus and stuck a feather in his hair? You’d call me a crazy Indian, wouldn’t you?

Jesus was a Jew. He wasn’t a yellow-haired anglo. I’m sure he had black hair and dark skin like an Indian. The white ranchers around here wouldn’t have let him step out with their daughters and wouldn’t have liked him having a drink in one of their saloons.

His religion came out of the desert in which he lived, out of his kind of mountains, his kind of animals, his kind of plants.

You’ve tried to make him into an Anglo-saxon Fuller Brush salesman, a long-haired Billy Graham in a fancy night shirt, and that’s why he doesn’t work for you anymore. He was a good medicine man, I guess. As you read it in the Bible, he sure had the power, the healing touch. He was a hippie, too.

Hipi – in our language that means ” he is here, we are here, it is here” – something like that.

So I don’t mind a young white man with long hair and a beaded headband coming to me, asking to learn about our Indian religion, even praying with us.

But I would mind it if he tried to change our beliefs, adapt them to his kind of culture, progress, civilization and all that kind of stuff. I would mind that very much.  You can’t take our beliefs out of our badlands and prairies and put them into one of your factories or office buildings……. 

[excerpts from] Seeker of Visions – John (Fire) Lame Deer & Richard Erdoes

hadithi? hadithi?

nipe mji…..

(re) introducing the q[/t] werd: a video diary

It ain’t no mystery that we (been) preparing for dis’ (not-so) new film & video projects: nekkyd & the Q[/T] werd. 

season 1 features 32[+4]stories en the magic is in  retelling of OUR stories

some of the [extra] ordinary people featured [en behind the scenes] include: anitafrika dub theatre, blackness yes! and blockorama, bombastic kasha, bunge la mwananchi, bredrin and dadas in solidarity, colour me dragg, [is] the crux, deb singh, Elijah Masinde, elimu sanifu, faith Nolan, funkasia, the funketeers, gender education and advocacy project, house of munro, Ishtar, kalmplex, nikki mawanda, nneke dumele, red lips. cages for black girls, swagger, tajudeen abdul raheem, victor mukasa, en the Yoruba house project

A love letter to rafikis, [aka.] bredrin and dadas in solidarity.

 

b is for blackness yes! and blockorama

I give thanks for El Hajj Malik El Shabazz (aka. Malcolm X), for (t)his birth (to)day, en for tomorrow, for the fruits of the work that not only (baba) Malcolm but so many other of our ancestors have done in liberating themselves en ‘other’ (people)s…

 

I give thanks for African Liberation Day (on May 25th), which is (depending on one’s ‘politics’) the biggest holiday of the year for (all) Afrikans, or more like, should be…. afrika moja!

Dis’  litany of love (en survival)  is embodied in ‘our’ symbols of resistance and the struggle of ‘everyday’, it explores the ‘other’ pieces of (where we) coming OUT from and embraces those ‘intersections’ in our diversity that (should) remind us we are all (from) one (Mama Afrika)….

so I give thanks for the work that the warriors of Blackness Yes! & Blockorama do to maintain positive & safe spaces for queer & trans folk of Afrikan descent, and for the folks who continue to do what they can to transform  not only themselves, but our communities for betta….

Like (in) dis’ litany of  pan-Afrikan realities sent out a moon ago, from (some of) the ones we’ve been looking for…ase.

April 19, 2010,

Dear Pride Toronto,

Thank you all for attending the community meeting on Tuesday, April 13, 2010 to discuss the proposed move of Blockorama. At this meeting you were able to see the passion our community feels for Blockorama. Our communities came out Tuesday to support Blockorama because it is created by and for community, with a deep sense of ownership by the community. We would also like to thank you for your letter, dated April 15, 2010.

Since 1998 Blockorama has been a party at Pride where black queer and trans folks, their allies, supporters and people who love them came together to say no to homophobia in black communities and no to racism in LGBTQ communities. To say Blackness Yes at Pride – loud and proud. Pride Toronto’s inability to lead on racism in the LGBTQ communities and homophobia in black communities sends a strong signal to black queer and trans communities and their allies everywhere.

We have built Blockorama out of love, through sweat and toiling. For 12 years, we have claimed space, resisted erasure, found community, shared memories, built bridges, embraced sexuality, and found home. Blockorama is not just a party or a stage at Pride. It is a meeting place for black queer and trans people across North America- Blockorama is the largest space of its kind at any Pride festival on the continent.

Black queer and trans communities have been central to the diversity of Pride. At the same time Pride Toronto as an organization has continually marginalized those communities. It is indeed those communities that enable Pride to be the celebration of sexual life and freedoms that we all cherish. Pride Toronto’s inability to recognize its own constituencies is not only sad and disappointing it is indeed politically naïve and damaging to the still necessary struggles around sexual freedom in our city, province and country.

It has been incredibly frustrating to have our concerns regarding the space for Blockorama at Pride be not taken seriously by the arts and entertainment manager at Pride. It is very unfortunate that communication seems to be an issue for Pride Toronto, and that so much institutional memory has been lost through the many transitions that Pride has gone through over the last 2 years. We are glad to have begun a conversation about how to rebuild our connections with Pride Toronto.

Based on the feedback we have received from our communities following Tuesday’s meeting and what was offered through your letter, we are prepared to accept the following:

1. A full stage and infrastructure in George Hislop Parkette on Sunday July 4, 2010. This infrastructure will include power, insurance, tents, tables/chairs, toilets,
garbage removal, insurance, permits and fees, security, tech costs and labour.

We assume that the other site requests previously made available to us (pizza and water for volunteers, barricades to which we secure our banners, etc) will, although not mentioned in your letter, still be made available to us.

2. A reciprocal commitment from Blackness Yes and Pride Toronto to respond to emails with 48 hours of receiving them and to check in with each other (by phone or email) at least twice per week from now until the end of the 2010 Pride Week Festival.

3. We agree to your request for programming information to be provided to Pride Toronto no later than April 21st. In fact, we had already submitted this programming information before receipt of your letter.

4. We agree to the request for information for the Pride Guide to be submitted no later than April 21st.

We will provide you with:

o A 100 word intro blurb;
o Two 50 word blurbs for artists’ spotlights;
o Any photos associated with those artists in high resolution (300 dpi);
o A 100 word blurb about Blackness Yes and a relevant photo.

5. We are committed to and have always adhered to Pride Toronto deadlines for
information on Site Logistics, Tech, Press etc. We request that any changes to deadlines be given to us in a timely fashion to avoid any delay in information sharing.

6. We are happy to re-join the coordinators committee for Pride. We will send 2 delegates from Blackness Yes to each programming committee meeting as often as is manageable. We recognize that although some other programmers may be paid for their time, we are a volunteer-based committee. We welcome the opportunity to become reengaged with pride committee activities!

We are not able to accept the following offers at this time:

1. It will not be necessary for you to provide us with a Stage Manager for the weekend. We have a Blackness Yes member who will advance the show with the artists and ensure that the stage operates in a timely fashion.

2. We accept your offer to fund the previously agreed upon budget of $5000 for the Sunday stage. We also request that as in previous years, Pride Toronto cover the travel and hospitality fees of artists from out of town who are appearing on the Blockorama stage.

We feel that it is unfortunate that Pride chose to cancel stage-based programming in George Hislop without any consultation with the programmers who program that space. We understand that this decision has resulted in the re-allocation of the funding for this stage to other parts of the festival, thus now requiring Pride to find an “additional” $20,000 to create the stage in George Hislop. With proper consultation and collaboration, we could have worked together to both keep the needed funds for Blocko in the budget, and helped to save costs overall.

Your offer to program 2 full days in George Hislop Parkette is unfortunately not possible. This is not a viable offer as you have specified that you do not plan to cover any artist’s fees for Saturday programming. Although we welcome the opportunity to develop 2 days of programming, we cannot do so without money to develop this programming, and the suggestion that we do so is surprising. We welcome the opportunity to discuss options for 2 days of programming with adequate budget in the future.

Pride Toronto should not consider running programming for which local artists are not paid for their time. One of the wonderful things about the festival is that it engages artists and helps support the development of artistic practice in Toronto by paying artists to perform. Blackness Yes cannot consider developing any programming that would result in artists not being paid for their time and efforts.


We would like to request the following:

1. We request funding to rent a temporary floor for in front of the stage – something that can be used on the grass to facilitate dancing, to provide a less slippery and muddy experience for participants, and to deal with the regular rain flooding and seeping that we experience each year in George Hislop Parkette.

2. We thank you for the opportunity to commit to the George Hislop space for both the 2010 and 2011 festivals. However we can only commit to 2010 at this time. We would like to set a date to begin working together shortly after Pride 2010 to find a more suitable long-term home for Blockorama.

3. We note that in 2002, Pride’s entertainment budget was $31,040; and the Blockorama stage received $2500 or 8% of overall entertainment budget. This year, Pride’s entertainment budget is has increased to $335,027, yet Blockorama is received only $5000 or roughly about 1.4%. We would like to know why the proportional allotment for our stage is shrinking despite increased money in the entertainment budget?

4. We support the use of the stage on Saturday by other community groups and we encourage one of the 4 paid programming staff at Pride to outreach to some of the communities currently not represented at Pride to help program the stage. We feel strongly that artists fees should be paid for any artists that play on Saturday’s stage.

We are concerned about the steady removal of community involvement from the structure of Pride Toronto over the past 2 years. As an independent committee programming a stage at Pride, we recognize how far Pride has to go to ensuring that it’s programming is reflective of the diversity of Toronto. We encourage and support all community groups currently marginalized by Pride Toronto, and/or the larger LGBTTI2QQ set of communities in Toronto.

There are many other communities that should also have Pride Toronto’s full commitment and engagement to develop relevant programming at the festival (First Nations and Indigenous people, LGBTTI2QQ people who are Deaf and those with Disabilities, and many many others) and we encourage Pride to connect with and engage these communities. We are disappointed that this year has seen communities pitted against each other – competing for stage space and funding at Pride.

It is also very unfortunate that Pride has distanced itself from so many of the communities that helped build the LGBTTI2QQ activist movement. Racialized queer and trans people, many of whom were street-involved, working class and poor started both the Stonewall and Compton Cafeteria riots that kick-started the “gay liberation movement” in North America. It is on the backs of racialized and working class queer and trans people that mainstream queer organizations like Pride Toronto have been built.

Yet for many of these same people, Pride is now an inaccessible space, one that is not representative of them in any way, shape or form. Many of these revolutionaries that began the riots would not be able to afford the beer gardens (or this year’s Prism main stage party) that have become the cornerstones of the Pride festival.

We wonder if they would be banned from the parade for carrying posters that make people uncomfortable- posters calling for an end to targeted policing of Trans people, calling to an end to systemic racism and homophobia, and demanding the right to sexual freedom and the right to self-identified gender expression. These words of resistance have consistently made certain people uncomfortable, but they have been crucial to the struggle for liberation and self determination of LGBTTI2QQ people.

Blackness Yes is committed to creating a space by and for Black/African Diasporic queer and trans people and all of their allies and supporters at Pride. Blockorama will always remain a political space for resistance and celebration, and we stand in solidarity with so many other groups that have been left out or forcibly excluded from Pride. We will also work to produce a Blockorama that returns to its roots. A Blocko organized by and for a supportive community that has been dancing, laughing, loving and eating at Blocko now for over more than a decade.

Thank you,

Blackness Yes!
Blockorama Coordinating Committee

Tessa C. Duplessis
Mykell Hall
Nigel Holbrook
Abdi Osman
Nik Redman
Syrus M. Ware
Kyisha Williams
Akhaji Zakiya