makmende goes on a badass quest

Q[_]t (pronounced officially as cute /ˈkjuːt/, though more commonly as Q.T. /ˌkjuːˈtiː/)

s/heroes who inspire us so

[werd remix/ed] is a cross-platform application framework [series] that is widely used for developing application software with a graphical user interface (GUI) (in which cases Qt is referred to as a widget toolkit), and also used for developing non-GUI programs such as command-line tools and consoles for servers.

[in the art of taking participatory leadership to scale with (queer, trans/two-spirited) indigenus perspectives from the continent to the diaspora of righteousness en, back to (akina babu, watoto na mama wa) Afreeka (with big love) migrashuns]

Qt is most notably used in Autodesk Maya,[7][8] Dassault DraftSight[9][10] Google EarthKDEAdobe Photoshop Album, the European Space Agency,[11] OPIESiemens,[12] Volvo,[13] Walt Disney Animation Studios,[14] Skype,

VLC media player,[15] Samsung,[16]Philips,[17] Panasonic,[18] VirtualBox and Mathematica.[19]

It is produced by Nokia‘s Qt Development Frameworks division, which came into being after Nokia’s acquisition of the Norwegiancompany Trolltech, the original producer of Qt.[20]

[with “freshly pressed” blogs on-the-ground kama ya african activists,  www.ancestryinprogress.tumblr.com, http://blacklooks.org/, behind the mask, gay uganda, kubatana, none on record, spectra speaks, the weapon of the revolution, things I feel strongly about, writing rights…..holding memories of rainbow nations en delving into UKWELI YA the complexities of hadithi zetu en QPOC resistance, to what comes next…a courageous.healing love….but who among us carries the sage secrets of loving?]

[songs in the spaces between: dream(season)s of co-creating sustainable learning villages,

farming en harvesting di powah of (our visions for) UHAI]

Distributed under the terms of the GNU Lesser General Public License (among others), Qt is free and open source software…….

[hadithi? Hadithi? Hadithi njoo! Uongo njoo! Utamu kolea!

Wetin next steps, after reaching out to the frontlines of the heart of our dreams, acknowledging dey s/heroes we’ve known from time and wetin those ‘betta practice’ paths of harvesting the powah! of cata(c)lysts, youth social infrastructure collaboratives en the legacies of elders en ancestors in coalition building? ]

[Hadithi? Hadithi? Hadithi njoo! Who among us carry the sage secrets of loving o?

Kesho in the Q_t werd…….b is for black queer resistance, blackness yes en Blockorama as cultural champions of Tdot en others who inspire en nourish we so, whom we are infinitely grateful for…]

 “Friends are angels who lift us to our feet when our wings have trouble remembering how to fly.”

Born in the womb of two brothas that (not only) I love, respekt en admire so, there’s a story I know that goes like El-Farouk Khaki en Troy Jackson seeded Human Positive last year, in response to the backlash that the brothas received for publicly standing in support of Queers Against Israeli Apartheid, Palestinian rights, and criticising the state of Israel. Or so one version of the hadithi (story) goes…

Dis grassroots organisation has been nourished in expanding el-tawhid families (of loving ‘mis-fits’) en evolving collectives of muslim (identified) folks, and is rooted in principles of big love like salaam and ubuntu. Or so another version of the hadithi goes….

The bigger point is, big tings a gwaan with H.P’s programming for next year…..

These are some of the (s)heroes of the Q_t werd: a doc exploring (as ) many intersections of our diversity (as we can), and the possibilities of building revolushunary solidarity, in dub: in a caravan of us-people hadithi of (our vision) quests.

The riddle of the sphinx is in the connecshuns among the legends of GALCK, Human Positive, Fahamu, The People Project, Bredrin en dadas in solidarity, Nneka and Nneke Dumela

 Jus one of the many revolushunary organisations that we love, respekt and admire so, the ones that we have grown with en learnt so much from on building communities of (good) practice and the struggle for Afrikan liberation….

http://blog.trustafrica.org/blog.php?/archives/45-Hakima-Abbas-reflects-on-African-philanthropy.html

http://www.pambazuka.org/en/category/features/68376

these are (some of)  the hadithi of the q_t werd [ on the ground]…

the ones that haven’t been published (yet)….

Proposal – Queer African Reader

Project Consultant: Sokari Ekine
Proposed Editors: Sokari Ekine, Hakima Abbas

We are writing to invite you to participate in the publication of an African LGBTI Reader to be published by Pambazuka Press in June 2011. The African LGBTI Reader is being published in response to the increasing homophobia and transphobia across the continent which aims to silence the voices of African Lesbian Gay Bisexual Transgender and Intersex people.

The African LGBTI Reader [Working Title] seeks to make a timely intervention by bringing together a collection of writings and artistic works that engage with the struggle for LGBTI liberation and inform sexual orientation and gender variance. The book seeks to engage with primarily an African audience focusing on intersectionality and will include experiences from rural communities, post-conflict situations, religious experience as well that of immigration and displacement.

We are proposing an alternative framework for the book based on a participatory model in which we ask prospective contributors and the broad queer activist community to discuss possible topics to be included that will push analysis and thinking within this distinct and diverse movement across the continent writing from the standpoint of both personal stories and experiences as activists. We feel this is important because of the multi layered issues which exist historically, regionally and politically with regards to sexual orientation and gender variance in Africa as well as the overall struggle for African liberation.

We hope to facilitate the writing of key African LGBTI leaders, activists and thinkers by providing a two week retreat where activists can create the space to reflect, share their ideas and writing, peer review each other’s work, have access to sources and resources provided by prominent academics and the institution. The writing retreat will be fully sponsored and contributors will be provided an honorarium for their writing which will enable them to take the time away from their activities to provide a critically reflective piece.

Possible Topics – not including personal stories, poems, stories

We have identified eight themes which are listed below with a brief summary of each. We are suggesting each of you think about the theme[s] that interest you and suggest specific topics on which you could write or would like to see addressed.

1. WHAT’S IN A LETTER:

We repeatedly use the terms lesbian, gay, bi-sexual transgender and intersex but what do these mean in your own experience, your own community and country? How limiting or inclusive are these labels? Are they appropriate and do they reflect your own experiences? Does the identity cause more problems than the behavior? Does gender variance or gender non-conforming provide a more appropriate entry point for discussion in Africa given silence around all sexualities? How do we organize across definitions? Why should we?

2. RESISTING OPPRESSION – TOWARDS LIBERATION:

What kind of strategies have been used or could be taken up to resist / challenge queer oppression?

Should we be talking about movement-building? What conceptualisations, experiences and visions of movements do we have / should there be?

Should the struggle for LGBTI Rights be framed within a Western construct which sees Rights as instruments and legislation or should the struggle for rights be constructed within a framework of movement building around which the oppressed organise?

How has the reliance on the NGO Industrial complex supported or hindered movement building? If the latter, what possible alternatives are there to organising and fund raising? How can we move towards more collaborative and collective ways of working which support movement building? What kind of strategies have been used or could be taken up to resist / challenge criminalisation and homophobia including that coming from religious institutions and the media? How should we understand and transcend the limits of the NGO-dominated activist space?

3. PINK COLONIALISM AND WESTERN MISSIONARIES:

What are the problematics of internationalising campaigns and how do we work with allies in the West? How do we overcome donor dependence as a movement? Do the donors and bilaterals save us from ourselves? How do we measure victory e.g. in Malawi and Uganda?

4. A CHANGING WORLD: SOUTH AFRICA AND THE BRICS:

Does South Africa have a particular role to play in supporting queer liberation in Africa? Does the shift in global power create opportunity or threat for African queer liberation? What other geo-political factors determine the course for queer liberation?

5. AFRICAN QUEER LIBERATION AND CLASS STRUGGLE:

What are the intersections between the broader social justice movement in Africa and the movement for queer liberation? Why should one care about the other?

6. ARE GAY MEN FEMINISTS?

What political frames are useful in our movement building? While LBT activists have tended towards feminism does it exclude GT men? How do we address patriarchy and sexism in our movements and personal relationships even among women-identified folks? Why do many straight identified African feminists resist taking on queer issues as a feminist issue in Africa?

7.         GOD AND QUEER –

INCOMPATIBLE OR INSEPARABLE IN AFRICA

Does the movement have to come from a secular space? Given that many African queer folks identify as religious how do we overcome fundamentalism?

The US right wing church are using Africa as a battleground for queer bashing – why is this effective?

What of countries with majority Muslim populations or Islamic law for queer liberation?

What is liberation theology today from a queer liberation and broader social justice perspective?

What are our strategies here?

Are there existing experiences of this, and what can we learn from there? What are the conceptual, spiritual and strategic challenges that the concept of liberation theology throws up to religious queers?

8. RECONCILING THE PERSONAL WITH THE POLITICAL:

What particular role has been/can be played by those engaged in activism through the creative arts? What has been/is the personal cost to working as social justice activists often working in relative isolation and in hostile environments? How can we better balance our lives as social justice activists with that of social people and the need to care for ourselves?

Submissions can be any of the following: essays, case studies of lived experiences on any of the suggested themes, personal stories, poems, art work, photography, short stories, short plays.

Submissions are welcome from Africans both on the continent and in the diaspora.

Download the Concept Note here.

http://www.pambazuka.org/en/category/Announce/67004

This blog is strategically mystic, personal and political.  I’ve been sharing pieces of a doc that we (a couple o’ dadas) officially started shooting dis’ summer, these bios of some of the 32 (en then some) folks that we love, respekt and admire so,  are a tapestry of all the brilliance and intersections in our diversity, en real tox on the struggle for afrikan liberation.

Dis blog is  the (un)official home of “The Q_t werd”: A caravan of us-people stories exploring bio/myth/ologies of (our vision) quests. The riddle of the sphinx is in the 4(+1) bredrin and dadas that are the crux of dis doc’

I give thanks for (the days before) yesterday, today and tomorrow…still riding off the energy of (more than) thousands of womben uniting to take to the streets in demonstration for wise womban traditions. I am grateful for all the sacred spaces I`ve been guided to n communed with others n for all the positive transformations of di season.

I pray that the blessings of yesterday carry into tomorrow, en as I contemplate the reality of Rob Ford as mayor in the city (not only) I have grown to cherish and love so much, I pray for guidance and healing not only for myself but others, that we may continue to change the destructive paths we`ve been on, grow more humble, loving and strong, as we come into our right destinies. I pray that we overstand the lessons from our teacher (guide)s……ase. ase. Ase……

Real tox: the q_t werd IS in the spaces between our bio(mytho)graphical (vision) quests and ancestral memories. an epic litany of our survival, and the secrets to our thriving. the riddle of the sphinx is in how all a dis’ resources being shared in so many parts of different villages….(en how) pamoja tutafika!

real tox: the q_t werd is bout all dis’ communing with other (not-so) fresh off the boat(er)s,

New Afrikans,

Urban griots, in di diaspora

Elders, en our guides [in the q_t werd]

Hadithi? Hadithi?

Hadithi njoo…..

Giza ya?

Sahani ya?

……

The hadithi we’re crafting in our villages are blood.bone.memories of our origins en transplanted cultures, being explored in the ‘best’ city of the world to live in ‘like’ global villages, (i heart)Tdot….The big arts festivals of the year, manifesto, TIFF & Word! Sound! Powah! may be fresh dun, we already got our fall/winter homework lined up, with a balanced diet of soul food: ‘continental’ en narrative docs,

‘drama’tic periods, more along the lines of….

our.own.stories

Revolushunary music…..

en wishlists of visions of bredrin and dadas building coalitions: human positive, moyo wa africa, colourspill & deviant productions, docuvixen films, elimu sanifu, kwari village, the people project, colour me dragg, lesblues, schools without borders, weapon of the revolution, Yoruba house project, afrakenya, GEAP, Farug, TITs & anitafrika dub theatre

[imagine if jus to start, these 18 (en then as many mo) groups shared mo resources and supported implementing each other’s programs….how many mo ghetto babies would be birthed en grow to thrive in de grassroots?…..dis journey we’re on in the q_t werd is exploring jus’ that, en all the spaces between, those fertile grounds where we give en receive love, where we seek guidance en manifest our right/full destinies]

These are some of the stories of the q_t werd: we’re retelling jus’ 5 of these, from Hamilton, Jo’burg, Kampala, Nairobi, back to Tdot: the crux of dis’ (re)organising that we documenting, growing in sacredness en urgency….

where we go so much tings to do en say n so lil’  time, where with the way tings been metamorphosing, we got no choice but to continue to live in truth, give en receive all the love that abounds, and do the best we can with what we got to fulfill our dreams.

Because the question remains, if we don’t, then who will?

Stay chuned…..kesho bado, e ni for elimu sanifu: pamoja tutafika!

Recently a ‘rafiki’ (kiswahili for friend) of ours, offered critical feedback on the storyboard of dis’ documentary feature en the (wish-list of a) series, it came in the form of a rhetorical question, in the wake of goodbyes en hellos, masking many fears en hopes en deep scars, grasping at the heart of the matter…

[blogger’s note: ‘us’ (our.stories.n.people) in the q_t werd stands in for the non/fictional, biodramamythical collective of artists, artivists and village (organizer)s  aka. ‘bredrin and dadas in solidarity’]

bigger point is, dis dada said ”you know what your doc doesn’t have? an antagonist……..”

(leading us to the latest ‘episode’ in this quest of building solidarity en salaam [Arabic en kiswahili for peace], but first a lil’ background…..truthIs, we’ve been seeding, planting and sharing our ideas and the storyboard of the q_t werd in our villages since way before the inception of this blog, or the ‘other’ one/s – where behind the mask/‘we’ all get nekkyd)

Our roster of bio/mytho/biographies en interviews feature only people we love, respekt and admire, and reads like we’re totally in love with so so many of dem, n we unashamedly are;

those real talks that make the q_t werd are as fresh as the legends of jus dis week in review….from the highs of ‘our’  colour me dragg AND  cassie walker winning $5,000 @ manifesto, to ‘our’ community raising the roof @ granny boots for kim & nat, doing it revolushunary grassroots style…..

real talks as conflicted as the lows of last night with the drama n fuckery that defined the was the ‘powers that be’ hosting the AGM meeting for ‘our’ Pride Toronto

[in the spaces between, we continue to chart the journey in dub…..where a is for anitafrika dub theatre, b is for [the vision of] bredrin and dadas in solidarity, c is for colour me dragg and colour spill productions, all the way to p is for the people project and where m is for the myths that we’re relearning , taught by our kinda legends, in these hadithi of the q_t werd]

…………As women, we have been taught either to ignore our differences, or to view them as causes for separation and suspicion rather than as forces for change. Without community there is no liberation, only the most vulnerable and temporary armistice between an individual and her oppression. But community must not mean a shedding of our differences, nor the pathetic pretense that these differences do not exist.”

[excerpt from: The Master's Tools Will Never Dismantle the Master's House
 
by Audre Lorde
 
From Sister Outsider, The Crossing Press Feminist Series (1984)]

These are the stories that make the q_t werd, as real as our children and lovers, institutionalised scandals, mashups and makeups, evolving bashes and (not-so) complicated backlash to ‘our’ community organising and village rebuilding, and all the lessons we’re relearning in our journeys.

the bigger point of this post is…… ‘that’ question,

the answer is….we have plenty antagonists, plenty of enemies BUT…… we choose to focus dis quest of documenting our healing en collective recovery, of rebuilding salaam and solidarity, on people we love

and even then, still……d is for drama is the crux of the q_t werd…

because the truth is….. we’re still working thru our shit, and even if we were to start jus with people we know en love, we would have more than nuff stories of conflict transformation and wishful fantasies for seven seasons.

The q_t werd is as simple as ABC en D [toZ] en as mysterious as the riddle of the sphinx…..

Hadithi? Hadithi?

Hadithi njoo……

Kesho ni: E is for elimu sanifu: in the q_t werd