Peace is possible (prayers)

I pray for health en prosperity not only for myself, but for others. Bless our healers en peace-makers. Bless the homeless, motherless and fatherless. Bless those sick in hospital. Bless all our relatives. Bless those who pray for us, and their families. Bless our wotas en grandmama earth.

[BLOGGER’S NOTES: I give thanks that the blessings of yesterday are still here today, and I pray that they may be carried to tomorrow. I am reminded every day I go to work that “peace is possible”….. that we have to work, organise, play, reason & sing [for] it, every minute of our lives.  

I give thanks that I have such good, loving folks en pikney surrounding me, every day that I go into work, and I give thanks that I’m actually getting paid for this shit, to work for peace, and work divine/love-ly tings with government money…

I give thanks that I get to work with en teach youth right close to home, give back to my hood, and I give thanks that I was guided (to) here, where I technically/really should know more of my neighbours (forgive my sins those that I do, and don’t know about. Forgive my foolishness) ]

As we pray, we will fully understand that we are all connected. And that what we create can have lasting effects on all life.

So let us unite spiritually, All Nations, All Faiths, One Prayer. Along with this immediate effort, I also ask to please remember July 23rd, Peace is Possible Parade and Prayer Day/Honoring Egungun/Sacred Sites day. Whether it is a natural site, a temple, a church, a synagogue or just your own sacred space, let us make a prayer for all life, for good decision making by our Nations, for our children¹s future and well-being, and the generations to come.

Onipikte (that we shall live),

Betwixt en between the lines are our true (true) stories, retold in (a video diary of) the ‘Q[/t]’ werd….

http://www.guardian.co.uk/football/2010/may/22/football-south-africa-world-cup

we’ve said it before, in other places, and [most  symbolically] here….

[Youtube=http://www.youtube.com/watch?v=Dr3uvUU4roc&feature=related]

we’re doing the best we can with what we got to entertain, and re-educate not only ourselves but others, in the practice of freedom.

http://www.cbc.ca/canada/british-columbia/story/2010/06/16/mb-truth-reconciliation-event-winnipeg.html

 

http://archives.cbc.ca/society/education/topics/692/

(re)building coalitions

 and (re)building solidarity with our people…

hadithi? hadithi?

nipe mji…….

 

 

I give thanks for El Hajj Malik El Shabazz (aka. Malcolm X), for (t)his birth (to)day, en for tomorrow, for the fruits of the work that not only (baba) Malcolm but so many other of our ancestors have done in liberating themselves en ‘other’ (people)s…

 

I give thanks for African Liberation Day (on May 25th), which is (depending on one’s ‘politics’) the biggest holiday of the year for (all) Afrikans, or more like, should be…. afrika moja!

Dis’  litany of love (en survival)  is embodied in ‘our’ symbols of resistance and the struggle of ‘everyday’, it explores the ‘other’ pieces of (where we) coming OUT from and embraces those ‘intersections’ in our diversity that (should) remind us we are all (from) one (Mama Afrika)….

so I give thanks for the work that the warriors of Blackness Yes! & Blockorama do to maintain positive & safe spaces for queer & trans folk of Afrikan descent, and for the folks who continue to do what they can to transform  not only themselves, but our communities for betta….

Like (in) dis’ litany of  pan-Afrikan realities sent out a moon ago, from (some of) the ones we’ve been looking for…ase.

April 19, 2010,

Dear Pride Toronto,

Thank you all for attending the community meeting on Tuesday, April 13, 2010 to discuss the proposed move of Blockorama. At this meeting you were able to see the passion our community feels for Blockorama. Our communities came out Tuesday to support Blockorama because it is created by and for community, with a deep sense of ownership by the community. We would also like to thank you for your letter, dated April 15, 2010.

Since 1998 Blockorama has been a party at Pride where black queer and trans folks, their allies, supporters and people who love them came together to say no to homophobia in black communities and no to racism in LGBTQ communities. To say Blackness Yes at Pride – loud and proud. Pride Toronto’s inability to lead on racism in the LGBTQ communities and homophobia in black communities sends a strong signal to black queer and trans communities and their allies everywhere.

We have built Blockorama out of love, through sweat and toiling. For 12 years, we have claimed space, resisted erasure, found community, shared memories, built bridges, embraced sexuality, and found home. Blockorama is not just a party or a stage at Pride. It is a meeting place for black queer and trans people across North America- Blockorama is the largest space of its kind at any Pride festival on the continent.

Black queer and trans communities have been central to the diversity of Pride. At the same time Pride Toronto as an organization has continually marginalized those communities. It is indeed those communities that enable Pride to be the celebration of sexual life and freedoms that we all cherish. Pride Toronto’s inability to recognize its own constituencies is not only sad and disappointing it is indeed politically naïve and damaging to the still necessary struggles around sexual freedom in our city, province and country.

It has been incredibly frustrating to have our concerns regarding the space for Blockorama at Pride be not taken seriously by the arts and entertainment manager at Pride. It is very unfortunate that communication seems to be an issue for Pride Toronto, and that so much institutional memory has been lost through the many transitions that Pride has gone through over the last 2 years. We are glad to have begun a conversation about how to rebuild our connections with Pride Toronto.

Based on the feedback we have received from our communities following Tuesday’s meeting and what was offered through your letter, we are prepared to accept the following:

1. A full stage and infrastructure in George Hislop Parkette on Sunday July 4, 2010. This infrastructure will include power, insurance, tents, tables/chairs, toilets,
garbage removal, insurance, permits and fees, security, tech costs and labour.

We assume that the other site requests previously made available to us (pizza and water for volunteers, barricades to which we secure our banners, etc) will, although not mentioned in your letter, still be made available to us.

2. A reciprocal commitment from Blackness Yes and Pride Toronto to respond to emails with 48 hours of receiving them and to check in with each other (by phone or email) at least twice per week from now until the end of the 2010 Pride Week Festival.

3. We agree to your request for programming information to be provided to Pride Toronto no later than April 21st. In fact, we had already submitted this programming information before receipt of your letter.

4. We agree to the request for information for the Pride Guide to be submitted no later than April 21st.

We will provide you with:

o A 100 word intro blurb;
o Two 50 word blurbs for artists’ spotlights;
o Any photos associated with those artists in high resolution (300 dpi);
o A 100 word blurb about Blackness Yes and a relevant photo.

5. We are committed to and have always adhered to Pride Toronto deadlines for
information on Site Logistics, Tech, Press etc. We request that any changes to deadlines be given to us in a timely fashion to avoid any delay in information sharing.

6. We are happy to re-join the coordinators committee for Pride. We will send 2 delegates from Blackness Yes to each programming committee meeting as often as is manageable. We recognize that although some other programmers may be paid for their time, we are a volunteer-based committee. We welcome the opportunity to become reengaged with pride committee activities!

We are not able to accept the following offers at this time:

1. It will not be necessary for you to provide us with a Stage Manager for the weekend. We have a Blackness Yes member who will advance the show with the artists and ensure that the stage operates in a timely fashion.

2. We accept your offer to fund the previously agreed upon budget of $5000 for the Sunday stage. We also request that as in previous years, Pride Toronto cover the travel and hospitality fees of artists from out of town who are appearing on the Blockorama stage.

We feel that it is unfortunate that Pride chose to cancel stage-based programming in George Hislop without any consultation with the programmers who program that space. We understand that this decision has resulted in the re-allocation of the funding for this stage to other parts of the festival, thus now requiring Pride to find an “additional” $20,000 to create the stage in George Hislop. With proper consultation and collaboration, we could have worked together to both keep the needed funds for Blocko in the budget, and helped to save costs overall.

Your offer to program 2 full days in George Hislop Parkette is unfortunately not possible. This is not a viable offer as you have specified that you do not plan to cover any artist’s fees for Saturday programming. Although we welcome the opportunity to develop 2 days of programming, we cannot do so without money to develop this programming, and the suggestion that we do so is surprising. We welcome the opportunity to discuss options for 2 days of programming with adequate budget in the future.

Pride Toronto should not consider running programming for which local artists are not paid for their time. One of the wonderful things about the festival is that it engages artists and helps support the development of artistic practice in Toronto by paying artists to perform. Blackness Yes cannot consider developing any programming that would result in artists not being paid for their time and efforts.


We would like to request the following:

1. We request funding to rent a temporary floor for in front of the stage – something that can be used on the grass to facilitate dancing, to provide a less slippery and muddy experience for participants, and to deal with the regular rain flooding and seeping that we experience each year in George Hislop Parkette.

2. We thank you for the opportunity to commit to the George Hislop space for both the 2010 and 2011 festivals. However we can only commit to 2010 at this time. We would like to set a date to begin working together shortly after Pride 2010 to find a more suitable long-term home for Blockorama.

3. We note that in 2002, Pride’s entertainment budget was $31,040; and the Blockorama stage received $2500 or 8% of overall entertainment budget. This year, Pride’s entertainment budget is has increased to $335,027, yet Blockorama is received only $5000 or roughly about 1.4%. We would like to know why the proportional allotment for our stage is shrinking despite increased money in the entertainment budget?

4. We support the use of the stage on Saturday by other community groups and we encourage one of the 4 paid programming staff at Pride to outreach to some of the communities currently not represented at Pride to help program the stage. We feel strongly that artists fees should be paid for any artists that play on Saturday’s stage.

We are concerned about the steady removal of community involvement from the structure of Pride Toronto over the past 2 years. As an independent committee programming a stage at Pride, we recognize how far Pride has to go to ensuring that it’s programming is reflective of the diversity of Toronto. We encourage and support all community groups currently marginalized by Pride Toronto, and/or the larger LGBTTI2QQ set of communities in Toronto.

There are many other communities that should also have Pride Toronto’s full commitment and engagement to develop relevant programming at the festival (First Nations and Indigenous people, LGBTTI2QQ people who are Deaf and those with Disabilities, and many many others) and we encourage Pride to connect with and engage these communities. We are disappointed that this year has seen communities pitted against each other – competing for stage space and funding at Pride.

It is also very unfortunate that Pride has distanced itself from so many of the communities that helped build the LGBTTI2QQ activist movement. Racialized queer and trans people, many of whom were street-involved, working class and poor started both the Stonewall and Compton Cafeteria riots that kick-started the “gay liberation movement” in North America. It is on the backs of racialized and working class queer and trans people that mainstream queer organizations like Pride Toronto have been built.

Yet for many of these same people, Pride is now an inaccessible space, one that is not representative of them in any way, shape or form. Many of these revolutionaries that began the riots would not be able to afford the beer gardens (or this year’s Prism main stage party) that have become the cornerstones of the Pride festival.

We wonder if they would be banned from the parade for carrying posters that make people uncomfortable- posters calling for an end to targeted policing of Trans people, calling to an end to systemic racism and homophobia, and demanding the right to sexual freedom and the right to self-identified gender expression. These words of resistance have consistently made certain people uncomfortable, but they have been crucial to the struggle for liberation and self determination of LGBTTI2QQ people.

Blackness Yes is committed to creating a space by and for Black/African Diasporic queer and trans people and all of their allies and supporters at Pride. Blockorama will always remain a political space for resistance and celebration, and we stand in solidarity with so many other groups that have been left out or forcibly excluded from Pride. We will also work to produce a Blockorama that returns to its roots. A Blocko organized by and for a supportive community that has been dancing, laughing, loving and eating at Blocko now for over more than a decade.

Thank you,

Blackness Yes!
Blockorama Coordinating Committee

Tessa C. Duplessis
Mykell Hall
Nigel Holbrook
Abdi Osman
Nik Redman
Syrus M. Ware
Kyisha Williams
Akhaji Zakiya

 I give thanks for yesterday http://www.nation.co.ke/magazines/-/1190/920652/-/hf43kez/-/index.html,

today, tomorrow (en next week): kwasababu it’s beginning to look more like (even) with all the (many/mis) steps backwards, with every ‘other’ determined (people) step(ping) forward (ever)….  

working for unity by teaching ourselves en others  (the practice of freedom), in a genuine commitment to (big) love  

In dis’ resistance (from the margins- na- moyo-ya the world) to (all kinds of) oppreshun,

We come (back) to our true true stories;

[like/dis’ Artist Intensive: Bio-Mythology and Creation with Bamidele Bajowa and d’bi.young anitafrika (A) This special workshop for creators explores the Yoruba pantheon and archetypes in the development of new work as a lens for approaching inter- and cross-cultural performance. Participants will explore the Yoruba symbology with Nigerian master storyteller/ drummer/babalao Bamidele Bajowa, and learn the ‘biomyth orplusi principles’ for creative interpretation and adaptation with acclaimed dubpoet/monodramatist/educator d’bi.young anitafrika. This hands-on and immersive class will look at pathways for integritous trans-cultural creation and how to approach cultural adaptation with honesty, respect, accountability and artistic ingenuity]

 [like/dis’ word! sound! powah! is the final episode of d’bi.young anitafrika’s seven-year-old biomyth trilogy. three faces of sankofa.

blood.claat is the first and benu the second. The trilogy charts the journey of three generations of afrikan-jamaican- becoming- afrikan-jamaica- canadian womben in one family: mudgu sankofa, her daughter sekesu sankofa, and sekesu’s daughter oya sankofa.

 In word! sound! powah!, the grand-daughter of mudgu negotiates her own identity to the backdrop of a mythologized revolution and the birth of dubpoetry in Jamaica]

 

 (all power to the people) fulfilling the legacies of our ancestors (en the wishes of the unborn).

 

I give thanks for bredrin en dadas in solidarity doing the best that we can to unite our people,

By any means necessary (in honour of Mama Afrika)!

 

From the book: “A Return to the Afrikan Mother Principle of Male and Female Equality”, by Oba T’shaka

“Human life on earth goes through the same spiral zigzag path of change and transformation that the cosmos follows. The movement from positive to negative, from Negro to Black; from civil rights to human rights from injustice to justice; from reform to revolution; from the lower self of “me first,” to the higher self of my family, people and humanity first; from the lower self of greed and egoism to the higher self of simplicity and selflessness; all of these transformations are part of the cosmic spiral—the Spiral of MA’AT (Truth, Justice, Balance, Wisdom, Love). The progression of consciousness, the progression of history, the progression of human character from a lower to a higher level occurs because, as we go through the cycles of life, as we learn the lessons of Maat, the lessons of the cosmos.

As we internalize these lessons, we transform our thoughts, words and actions to conform to Maat.

We ascend the spiral ladder of transformation through the cycles of life, rising to the level of perfection where the body becomes one with the soul.

From the blog: http://imperfect-black.blogspot.com/2010/05/raceandhistorycom-return-to-afrikan.html

Read more @ RaceandHistory.com

 

I give thanx for you….

dear (friend/blog) read(enspeak)ers

(asante. artists, activists en extra/ ‘ordinary’ people for sharing y/our resources).

I give thanks for papa na mama,

(wind) dada(s) en (soul) brotha (s/uns of another mama).

I pray for those who pray for not only ourselves but others, en who bless me (with their energy, love, en 2cents on balance, justice, truth and wisdom)

I give thanks for you, my love(s)…..nakupenda.

ase.ase.ase.ase…..