[re/posted]scribbles from the den

When the idea was first hatched to put forward South Africa’s candidacy for the 2010 World Cup, it seemed a far-fetched dream. And when FIFA actually awarded the tournament to South Africa, it was, in the view of many, a gamble destined to fail. However, after six years of turmoil, controversy and acrimony later, South Africa is finally set for the 2010 World Cup tournament.

For the next month, (legitimate) concerns about the financial toll of the tournament on South Africa’s economy, the absence of concrete benefits for large swathes of the South African population, or about FIFA’s stifling rules will be put on the backburner as the world enjoys the beautiful game.

Dori Moreno

Dori Moreno is one of those unapologetically afflicted by ‘World Cup Fever’:

I have been waiting for the World Cup to arrive ever since the announcement was made that it would be hosted in South Africa. It’s difficult to get excited about something happening so far into the future. But now, the World Cup is upon us, and in just 2 more sleeps, South Africa will face Mexico in the kick off game of the 2010 World Cup. And South Africa has woken up and is alive with energy, passion and enthusiasm.

 ‘Today, the Bafana Bafana team took to the streets of Sandton, Johannesburg in an open top bus. South African fans came out en masse to celebrate and get a glimpse of their national team. The vibe was indescribable and when the Soweto Marimba Youth League played the national anthem, I confess to being moved to tears from the sheer emotion and energy of the event.


‘I think even the die-hard pessimists out there will struggle not to get caught up in the positive energy that will carry us all on a cloud for the next month. To everyone out there, I say, ENJOY! To all the visitors to our awesome country, feel it, live it and fall in love. It’s time for AFRICA!!!!’

Jeanette Verster’s Photography

And talking about the June 9 ‘United We Stand for Bafana Bafana’ parade organised in Sandton to encourage South Africans to show their support for their national team, Jeanette Verster publishes a colorful picture essay that vividly captures the national excitement.

Brand South Africa Blog

Brand South Africa Blog hopes that the unity and patriotism demonstrated in the run-up to the World Cup will last long after the tournament:

‘The past few months have been an incredible sight. Road works, bridges being built and the most spectacular, the giant eye which watches over all of us from the entrance to the V&A Waterfront. To say I feel proud would really be an understatement, although true. Undeniably through all of this is the tangible feeling of patriotism, excitement and unified spirit in the air.

‘Flags, Zakumi’s (official World Cup mascot), soccer jerseys everywhere makes me feel that we can unite as a country, evident in the progress made.

‘*** I love SA ***

‘The feeling I hope for South Africa is that we stay this way long past the end game is played. Everyone is watching and can see that through working together and progress, we can be pushed into another league and be part of a set of countries people all of the world would like to visit sometime in their life.

‘So, Bafana, we are behind you 150%, make us proud and do your best.

‘Visitors to South Africa, our country is beautiful, take the opportunity to visit places off the beaten track you’ll be pleasantly surprised and p.s. don’t forget to shop!’

Constitutionally Speaking

Even as the excitement builds up, there is anger just beneath the surface over a number of (FIFA-inspired?) decisions which do not benefit South Africans. One such issue is the apparent blanket ban on public gatherings in many municipalities for the duration of the World Cup. Constitutionally Speaking argues that:



‘If this is true, it would mean that parts of South Africa are now effectively functioning under a state of emergency in which the right to freedom of assembly and protest have been suspended. This would be both illegal and unconstitutional. Other reports have suggested that such orders were indeed given, but that the police are now backtracking – probably because the police have realised that they are breaking the law and that the order, in fact, constitutes a grave breach of the law and the Constitution.

‘It is a sad day indeed when the police itself become a threat to our democracy and our rights because Fifa and the government want us all to behave and shut up for the next month and to forget about our democratic rights.’

Scribbles from the Den (and betwixt en between the lines: a video diary of the ‘Q[/t]’ werd)

Scribbles from the Den takes us back 20 years to a memorable World Cup game which is now part of the football folklore and which credited to have changed the World Football Order in favor of African countries:

‘Exactly 20 years ago on June 8, 1990 at the Giuseppe Maezza Stadium in Milan, Italy, the Indomitable Lions of Cameroon, “a humble team with an insignificant past” to quote the Miami Herald, defeated Argentina, the star-studded defending World Champions led by Diego Armando Maradona, in a thrilling Italia ’90 World Cup opening game that came to be known as the “Miracle of Milan”…



‘The victory over Argentina was merely the beginning of Cameroon’s Cinderella story which came to an end only after England ousted the Lions in an epic quarterfinal game that is also part of World Cup folklore. Cameroon’s brilliant run in Italia ’90 in general, and its historic win over Argentina in particular reverberated around the world and changed the Football World Order forever…

‘The aftershocks from that memorable Friday afternoon at the Giuseppe Maezza Stadium would be felt years later first with FIFA increasing the number of African teams taking part in the World Cup from two to five, then with the “browning” of European leagues which opened their doors to players from the continent and in the process unearthed African football prodigies such as “King” George Weah of Liberia, Same Eto’o of Cameroon and Didier Drogba of Cote d’Ivoire.’

Up Station Mountain Club

As the football fiesta goes on in South Africa, Charles Taku, a lead counsel at the United Nations International Criminal Tribunal for Rwanda in Arusha, Tanzania, wonders whether Africa has any reason to celebrate as many states turn 50:

‘Africa is sick; very sick indeed. It is safe to state that at 50, there is nothing to celebrate. Rather than celebrate, Africa should be engaged in a moment of soul searching to find out where we went wrong and to generate ideas about how to resolve the myriad problems afflicting the continent…



‘There is no gainsaying that Africa is a victim of its colonial heritage. It is also true that many African problems are self inflicted. For that reason, according to Peter Schwab, Africa is its own worst enemy.

‘As Africa enters the second half of the century, there is a compelling need for it to eschew all pretensions to celebration and to use the opportunity of the moment to search for viable solutions to its plethora of problems. Our collective failure enjoins us to do a lot of soul searching at this point of our history rather than celebrate a failed past in anticipation of a bleaker future. Africa and the black race in general need to take their destiny into their own hands once again. Time has come for all black people of this world to invoke the spirits of Marcus Garvey, George Padmore, CLR James, the Osagyefo Mwalimu and others whose mere mention of name give us the inspiration, courage and hope to start all over again, in seeking a path of glory they once laid out for us.

The time to build and improve on what they started for our collective survival in a mercilessly competitive world is now. Waiting for dictators that preside over the destiny of most of the continent at present to pave that path to glory is simply foolhardy, if not suicidal.”



Kumekucha

Kumekucha explains how he believes the ruling elite plan to rig the August Referendum for the proposed new Kenyan Constitution:

‘Folks I am afraid that I have more bad news for you concerning the new constitution most of us are yearning for. Let me start by confessing that for a person with my years of experience I was rather naïve to believe that those who own Kenya would ever allow for an electoral system that they did not have any control over. The truth is that the so called “tamper-proof” electoral roll has already been tampered with and non-existent voters introduced. And since it is NOT the same electoral roll that we will go to the general elections with, the only conclusion is that the intention is to rig the August 4th Referendum.

‘The game plan by the powerful owners of Kenya is for the NO camp to catch up with the YES majority so that the difference is around 20% or less. What will then happen is that NO will win with a very slim majority. Enough to deny most Kenyans what they are yearning for so much that they can no longer sleep too well. Those wh o have read the document and realize the sweeping changes it will bring into the country and the deadly blow it will deal to impunity.

‘What really scares me is that so far these powerful forces have been able to get things done through the NSIS and have even influenced the judiciary to make certain bizarre rulings. To me that is evidence enough that they are quite capable of going ahead with their well laid plan even as the president tires himself crisscrossing the country campaigning for a new constitution.’


BROUGHT TO YOU BY PAMBAZUKA NEWS

* Dibussi Tande blogs at Scribbles from the Den.

 

(re) introducing the q[/t] werd: a video diary

It ain’t no mystery that we (been) preparing for dis’ (not-so) new film & video projects: nekkyd & the Q[/T] werd. 

season 1 features 32[+4]stories en the magic is in  retelling of OUR stories

some of the [extra] ordinary people featured [en behind the scenes] include: anitafrika dub theatre, blackness yes! and blockorama, bombastic kasha, bunge la mwananchi, bredrin and dadas in solidarity, colour me dragg, [is] the crux, deb singh, Elijah Masinde, elimu sanifu, faith Nolan, funkasia, the funketeers, gender education and advocacy project, house of munro, Ishtar, kalmplex, nikki mawanda, nneke dumele, red lips. cages for black girls, swagger, tajudeen abdul raheem, victor mukasa, en the Yoruba house project

A love letter to rafikis, [aka.] bredrin and dadas in solidarity.

 

b is for blackness yes! and blockorama

 I give thanks for yesterday http://www.nation.co.ke/magazines/-/1190/920652/-/hf43kez/-/index.html,

today, tomorrow (en next week): kwasababu it’s beginning to look more like (even) with all the (many/mis) steps backwards, with every ‘other’ determined (people) step(ping) forward (ever)….  

working for unity by teaching ourselves en others  (the practice of freedom), in a genuine commitment to (big) love  

In dis’ resistance (from the margins- na- moyo-ya the world) to (all kinds of) oppreshun,

We come (back) to our true true stories;

[like/dis’ Artist Intensive: Bio-Mythology and Creation with Bamidele Bajowa and d’bi.young anitafrika (A) This special workshop for creators explores the Yoruba pantheon and archetypes in the development of new work as a lens for approaching inter- and cross-cultural performance. Participants will explore the Yoruba symbology with Nigerian master storyteller/ drummer/babalao Bamidele Bajowa, and learn the ‘biomyth orplusi principles’ for creative interpretation and adaptation with acclaimed dubpoet/monodramatist/educator d’bi.young anitafrika. This hands-on and immersive class will look at pathways for integritous trans-cultural creation and how to approach cultural adaptation with honesty, respect, accountability and artistic ingenuity]

 [like/dis’ word! sound! powah! is the final episode of d’bi.young anitafrika’s seven-year-old biomyth trilogy. three faces of sankofa.

blood.claat is the first and benu the second. The trilogy charts the journey of three generations of afrikan-jamaican- becoming- afrikan-jamaica- canadian womben in one family: mudgu sankofa, her daughter sekesu sankofa, and sekesu’s daughter oya sankofa.

 In word! sound! powah!, the grand-daughter of mudgu negotiates her own identity to the backdrop of a mythologized revolution and the birth of dubpoetry in Jamaica]

 

 (all power to the people) fulfilling the legacies of our ancestors (en the wishes of the unborn).

 

I give thanks for bredrin en dadas in solidarity doing the best that we can to unite our people,

By any means necessary (in honour of Mama Afrika)!

 

From the book: “A Return to the Afrikan Mother Principle of Male and Female Equality”, by Oba T’shaka

“Human life on earth goes through the same spiral zigzag path of change and transformation that the cosmos follows. The movement from positive to negative, from Negro to Black; from civil rights to human rights from injustice to justice; from reform to revolution; from the lower self of “me first,” to the higher self of my family, people and humanity first; from the lower self of greed and egoism to the higher self of simplicity and selflessness; all of these transformations are part of the cosmic spiral—the Spiral of MA’AT (Truth, Justice, Balance, Wisdom, Love). The progression of consciousness, the progression of history, the progression of human character from a lower to a higher level occurs because, as we go through the cycles of life, as we learn the lessons of Maat, the lessons of the cosmos.

As we internalize these lessons, we transform our thoughts, words and actions to conform to Maat.

We ascend the spiral ladder of transformation through the cycles of life, rising to the level of perfection where the body becomes one with the soul.

From the blog: http://imperfect-black.blogspot.com/2010/05/raceandhistorycom-return-to-afrikan.html

Read more @ RaceandHistory.com

 

I give thanx for you….

dear (friend/blog) read(enspeak)ers

(asante. artists, activists en extra/ ‘ordinary’ people for sharing y/our resources).

I give thanks for papa na mama,

(wind) dada(s) en (soul) brotha (s/uns of another mama).

I pray for those who pray for not only ourselves but others, en who bless me (with their energy, love, en 2cents on balance, justice, truth and wisdom)

I give thanks for you, my love(s)…..nakupenda.

ase.ase.ase.ase…..

yesterday (en today), in typical ‘alice in wonderland’ fashion,

 I re/connected with 6 (+some) afrikans that I met randomly in my travels ‘downtown’, around my ‘old’ hood(s)…. [4 dadas, (a gran) mama/s, en a brotha from Uganda].

all with werds of love, peace en conflict(s), en (the struggle for)  unity, no mention of the world ‘cup’ in our reasonings…

lakini, hii hadithi ni ya akina dada na mama wa afrika so why shouldn’t we (be) question(ing) the ‘musical’ controversy of (sasha fierce vs.) shakira vs. Freshly ground vs. K’naan as the official mascots for what has become an epic gathering of (the world) masses? (my two cents, why not pull another ‘Michael Jackson’ act &  have ‘all the stars’ perform together?)

 

Why shouldn’t we also be questioning our allegiance to ‘popular’ consumer culture that does little to alleviate the status (quo) of the masses (other than provide a soundtrack for escapism)? 

If we put as much energy in(to) revitalising the Organisation for African Unity, as we did into arts, sports, war (en) our education, then we could [read as: would] reasonably attain the U.S of Afrika within a decade, EN  have all the entertainment we want to occupy ourselves with, au siyo?

Why wait for (vision) 2030? we already know (more than) the basics of where we’re coming from, (more than) enough symbols to inspire a(n. Anti-imperialist) pan afrikan renaissance……

 [read the crux of the “Q” werd as ‘others’: according to anti-capitalists, it’s capitalism,  orthodox ‘mainstream’ feminists may posit it as white supremacist.partriarchal.imperialism…others still, like black nationalists, have conjured ‘back to Africa’ movements and afrikan feminists should technically invoke Mama Afrika herself…. the bigger point is, the crux of this hadithi all depends on where you’re at….hadithi? hadithi? Nipe mji….]

 “…A Pan African movement is therefore an indispensable prerequisite to the struggle for a second liberation. However, as we already noted, the African bourgeoise class which inherited the colonial nation-state has proved a complete failure in terms of genuine development. It merely sees its mission as that of maintaining and preserving the inherited system and therefore the status quo. That is what Economic Recovery Programmes (ERP)  really mean. That is also the objective of Structural Adjustment Programs: to rehabilitate the colonial structures. That is why (Frantz) Fanon noted that the phase of this class ‘in the history of under-developed countries is a completelly useless phase’. After it has destroyed itself  ‘by its own contradictions, it will be seen that nothing new has happened since independence was proclaimed, and that everything must be started again from scratch’ (1963, p.142). It therefore means that if the Pan African movement is to spearhead the struggle for the Second Liberation, it has to be rooted in a different social strata, the strata of the popular masses who bear the burden of SAPs, re-colonization and deepening under-development. Therefore in the words of Walter Rodney in his contribution at the 6th Pan African Congress: ‘The Unity of Africa requires the unity of progressive groups, organisations and institutions rather than being merely the preserve of states’ (1976, p.34). Let the people take over if African unity is to be genuine and permanent…..[from Conditions for Africa at Home by Chango Machyo w’Obanda

These ideas are not new, I heard (read as) learnt them from many Pan-Africanists en anti-imperialists of diverse brands. Preaching love and doing the best that we can to practise the change we see with/in en around us….

we KNOW when we’re on the right path, in the right place, at the right time, when everything happens jus’ so, en there is peace with in/side.(en) Out.

Our communities and collective well being that so many agitate, dream, theorise en organise about are all that we have…so what does having everything with/in to bring the change we need mean, if not everything, kitendawili?

Tega! betta late than neva!

hadithi? (hadithi?)

give me a song of freedom, kama nyimbo cia dini ya msambwa, ifa, mau mau,

(na) nipe mji……

My favourite things about today are yet to come, I love Thursdays for the simple reason that I know every night will be a ‘jood’ one. En I get one night closer to Saturday, another one of those (guaranteed) ‘jood’ time(s), the rest of my evenings are up for grabs by wind (dadas), moon, sun, rain, work en love

Tonight, I’mma break my ritual(s) and go for the (pre)screening of ‘red lips’ instead, in this space en (neo-colonial/post-modern) times, you gotta take stories about (queer/trans/pan) afrikans wherever they offer themselves.  It’s (not) often en (not) widespread, (depending on how/en/where you look at/read it)…

Even though I haven’t even ‘seen’ the (short) film yet, haven’t ‘read’ the reviews, seen the ads, or followed it on any social engine, I’ve marked off the premiere of the Legacy Video Project in my calendar. http://www.insideout.on.ca/20/program_details.php?id=31

It’s ‘special’ in so many ways, one of those (community) rituals that define (not only) my ‘Canadian’ (en Tdot) status (butof  a fragmented and intersecting group of ‘others’).

http://www.insideout.ca/20/schedule/index.php

For (almost) as long as I’ve lived in this country, I have attended the festival; I first volunteered in Tdot @ InsideOut; most of my ‘official’ film experience has been thanks to the queer youth digital video project &

….ndio, there’s a pattern, so, ofcourse I have a sweet spot for all things queer(trans) en (film&video)spice (many others do, en feel me on this too – uchandirayasi!) en it’s (notso) obvious that I have plenty access en privilege to re/define myself in queer & trans positive spaces.

These are one of the many reasons Tdot could ‘potentially’ be the ‘best’ city in the world, we’re a ‘nicer’ (version of) New York (or so I’ve heard, coz I ain’t crossed THAT  border yet, but from what I heard, it sounds like, from a pan-afrikan perspective, the only ting’ that New York has over Tdot is Brooklyn en the Bronx, Manhattan is just so gay), en if you’re an Afrikan in the diaspora, where better to experience the whole world (if you choose to) than in (dis) one city?

Where so many ‘others’ re/define one of the national landmark/s of turtle island? (you couldn’t experience such living in jo’burg, kampala, kigali, lagos, mogadishu, monrovia or nairobi, maybe with enough time en immigrants…..)

En yes, if you unpack these hadithi, you’d read I was telling you this, because it’s Very.Important.People.  I have (more than 31) personal (en political) reasons to be going to see ‘red lips’ tonight…the actions (are) layered, (en symbolic) as markers in the ‘Q’ werd.

Red lips, is the crux, is swagger, is nneke dumele, audrey mbugua & tomee sojourner, trey anthony, zanele muholi, wahu kaara & pouline kimani, bombastic kasha & victor mukasa, tajudeen abdul raheem & audre lorde, seven sisters & anitafrika dub theatre…(many) dadas en bredrin in solidarity, in film/theory but not nearly as many as we need in practice, in intersecting and separate spaces, for different purposes, all to rebuild en reclaim ourselves en our communities….

we gotta still continue from ‘here’, give thanks not only for who we’ve got, or where we’re coming from, but for what’s coming as we prepare…..

the big(ger) point is that we are not the only ones who’ve found (some of) what we’ve been looking for.  We  ARE  the ones we’ve been looking for, so now what?  the crux is working on OUR  unity (first), en manifesting our (re)visions, (or, jus’ what IS  the crux?)

Since time, everything that one does (re)defines oneself, and since ‘we’ walked, we’ve (re)defined ourselves in groups, labelled God/dess(es), en change/d….. in other words, this is a(nother) pan-afrikan postcard, another hadithi of dadas (en mamas) in solidarity

I’m going to see red lips tonight for (more than)a few reasons; I’ve read en heard the story, witnessed en shared in parts of its production, en I (am in) love (with) the performance of this hadithi. There’s something about any producer who delves into the significance of healing en self recovery for womyn through ritual en wota, en about the ‘actors’ who re/tell the story with their (own) body-memories,  something about taking time to see (beautiful/performance) art used for revolushunary change, it’s like (good) food for the soul en dadas.(practis)in(g).solidarity, which is quite simply, jood!

ofcourse i’m also jus more likely to be going coz, the womyn who produced the piece is not only (a) fine as may wine (dada who knows many other sweet as honey sistas) but one of the many afrikans  (or few, depending on how/where you look at/read it) who’ve shared their energy, love, teachings, en time with me…..one of the many that I been looking for, who’ve changed not only me, but others…

And now that it’s spring (or autumn depending on where your latitude is at) again, and (my) be/loved let me go, now that I’ve (quite literally) fallen through the hole en like ‘Alice in Wonderland’ (this is real when I say I volunteered at my first un-Anniversary last nite, so today of all days, I feel particularly qualified to speak on matters of peace & conflict, magic.of.symbolism, truth & reconciliation), today I feel particularly ‘entitled’ to getting some ‘honey’ , I wasn’t beheaded by the Queen, she eve/n ‘spoke’ to me, I ate good food en mostly tended a hookah with a surreal caterpillar, en all in all had quite a sweet (un-anniversary) time…something like when I went to see the ‘other’ queen, the week before that….(went to) fe(e)d the wota, en she gave me some priceless gifts in return…

 (but now that’s another hadithi)…

 the bigger point is that (those) red lips are one of the 31 hadithi of the ‘Q’ werd.

A mystic, organic, and (us) people driven caravan of (change en) pan-afrikan stories.

http://www.anitafrika.com/

Something like a series of auto-myth(o)-biographies en interviews with ordinary people en (super/s)heroes, retelling our true true stories for the sake of pikney. Because if we don’t tell them our true true stories, who will? En if we don’t practice peace, (en fight for our freedom by any means necessary) then where will ‘they’ learn (IT) from?

These are  the true true stories of  sistas.in.solidarity (SIStas.I.S) in the ‘Q’ werd.

Their stories are not new, en we’ll share them (again en again en again) coz these are some of the one’s we’ve been looking for, the ones holding us up (en in their/arms), who we struggle with en whose legacies we’re inspired by, whose shoulders we stand on, en in whose bedrooms, farms, kitchens, business/es en classes we commune…..

these are symbols of ‘when things were cool…’ (as wota)  [Back in the Day(when ‘our’ wo/men ruled Afrika)sung byErykah Badu

sweet as honey, fine as may wine…..

 

A is for [Mama] Afrika….

We have a beautiful mother

Her green lap immense

Her brown embrace eternal

Her blue body everything we know

[from Alice Walker]

 

B is for (betwixt en between) big love (D.I.S fundraiser scheduled/for Black August month)

 

 

C is (for) the crux.

These interviews are with people we know (not well enough), that we love (en honour), that have changed not only us, but others, en throw wicked parties while they’re at it, coz what’s all the struggle(ing) for if you can’t wind down?….

the super/s/heroes of swagger: charysse robinson & mel fernandes are on our wishlist for D.I.S

 

D is Dadas in solidarity, doing our best to unite our people…

 E is for…elephant.memories……shine(ing).(a).light.for.the.wor(l)d