Feminism: (as) a transformational politic  

“We live in a world of crisis – a world governed by politics of domination, one in which the belief in a notion of superior and inferior, and its concomitant ideology – that the superior should rule over the inferior – effects the lives of all people everywhere, whether poor or privileged, literate or illiterate.

Systematic dehumanization, worldwide famine, ecological devastation, industrial contamination, and the possibility of nuclear destruction are realities which remind us daily that we are in crisis…..

Feminism, as liberation struggle, must exist apart from and as a part of the larger struggle to eradicate domination in all its forms….the separation of grassroots ways of sharing feminist thinking across kitchen(table)s from the sphere where much of that thinking is generated [read institutionalised], the academy, undermines feminist movement.

It would further feminist movement if new feminist thinking could be once again shared in small group contexts, integrating critical analysis  with discussion of personal experience(s).

 It would be useful to promote anew the small group setting as an arena of education for critical consciousness, so that women, men (& trans folk) might come together in neighbourhoods and communities to discuss feminist concerns….It is in this commitment to feminist principles in our words and deeds that the hope of a feminist revolution lies.

Working collectively to confront difference, to expand our awareness of sex (gender), race and class as interlocking systems of domination, of the ways we reinforce and perpetuate these structures, is the context in which we learn the true meaning of solidarity.

It is this work that must be the foundation of feminist movement…..

True politicization – coming to critical consciousness – is a difficult “trying” process, one that demands that we give up set ways of thinking and being, that we shift our paradigms, that we open ourselves to the unknown, the unfamiliar.

Undergoing this process, we learn what it means to struggle and in this effort we experience the dignity and integrity of being that comes with revolutionary change.

If we do not change our consciousness, we cannot change our actions or demand change from others.

Our renewed commitment to a rigorous process of education for critical consciousness will determine the shape and direction of future feminist movement……

 

Feminist focus on men: a comment

…now we can acknowledge that the reconstruction and transformation of male behaviour, of masculinity is a necessary and essential part of feminist revolution. Yet critical awareness of the necessity for such work has not led to the production of a significant body of feminist scholarship that fully addresses these issues. Much of the small body of work on men has been done by men…..

(yet) just as love relationships between females and males are a space where feminist struggle to make a context for dialogue can take place, feminist teaching and scholarship can also and must necessarily be a space for dialogue….it is in that space that we can engage in constructive confrontation and critique…..

[Youtube= http://www.youtube.com/watch?v=Gmvx8suFr3M&NR=1%5D

Blogger’s note: these teachings are symbolic of the great work that has been done and that is still ahead of us in healing not only ourselves, but the world, and in liberating not only ourselves, and ALL Afrikans, but ALL people. The bigger point of sharing teachings that have transformed not just me, but many others is simple: to reconnect, relocate and rebuild (our) communities with (big) love en more bredrin en dadas in solidarity….afrika moja!

Writing autobiography

The longing to tell one’s story and the process of telling is symbolically a gesture of longing to recover the past in such a way that one experiences both a sense of reunion and a sense of release…..

To G…., who is she: on using a pseudonym

Bell hooks is a name that comes from my family. It is the name of my great-grandmother on my mother’s side…claiming this name was a way to link my voice to an ancestral legacy of woman speaking – of woman power.

[between the lines: molisa nyakale is also a name that comes from my family. It is the name of my great-great-great-grandmother on my father’s side, and a mark-er of my true true home….claiming this name was also a way to link my voice to an ancestral legacy of wom(b)an speaking]

When I first used this name with poetry, no one ever questioned this use of a pseudonym, perhaps because the realm of imaginative writing is deemed more private than social….after years of being told that I said the wrong things, of being punished, I had to struggle to find my own voice, to feel that I could speak without being punished…

in using the pseudonym, I consciously sought to make a separation between ideas and identity so that I could be open to challenge and change.

Though by no means a solution to this problem, a pseudonym certainly creates a distance between the published work and the author….longing to shift attention away from personality, from self to ideas, informed my use of a pseudonym…the point of the pseudonym was not to mask, to hide my identity but rather to shift the focus, to make it less relevant

Excerpts from Talking Balk: Thinking Feminist, Thinking Black

In honour of the legacy of tajudeen abdul raheem (en many many ancestors who dedicated their lives to the liberation of all afrikan peoples)

this post is dedicated to bredrin and dadas in solidarity…nakupenda. bless those who work for truth, justice, reconciliation & peace.

 ase.ase.

 

Afrika moja! Afrika huru!

Ase. o.

.

blogger’s note: you probably already know this story, references to ancient Afrikan cultures are all over the net en the world….so here’s another one of them…of the gran (primeval) mama of us all  (emphasis on ‘the capital’ in the Q werd)

Adapted from http://www.ancientegyptonline.co.uk/hathor.html

Hathor is one of the most ancient Egyptian goddesses. She was known as “the Great One of Many Names” and her titles and attributes are so numerous that she was important in every area of the life and death of the ancient Egyptians. It is thought that her worship was widespread even in the Predynastic period because she appears on the Narmer palette. However, some scholars suggest that the cow-headed goddess depicted on the palette is in fact Bast (an ancient cow goddess who was largely absorbed by Hathor) or even Narmer himself. However, she was certainly popular by the Old Kingdom as she appears with Bast in the valley temple of Khafre at Giza. Hathor represents Upper Egypt and Bast represents Lower Egypt

She was originally a personification of the Milky Way, which was considered to be the milk that flowed from the udders of a heavenly cow (linking her with Nut, Bat and Mehet-Weret). As time passed she absorbed the attributes of many other goddesses but also became more closely associated with Isis, who to some degree usurped her position as the most popular and powerful goddess. Yet she remained popular throughout Egyptian history. More festivals were dedicated to her and more children were named after her than any other god or goddess. Her worship was not confined to Egypt and Nubia. She was worshipped throughout Semitic West Asia, Ethiopian, Somlia and Libya, but was particularly venerated in the city of Byblos.

She was a sky goddess, known as “Lady of Stars” and “Sovereign of Stars” and linked to Sirius (and so the goddesses Sopdet and Isis). Her birthday was celebrated on the day that Sirius first rose in the sky (heralding the coming innundation). By the Ptolemaic period, she was known as the goddess of Hethara, the third month of the Egyptian calendar.

Hathor was also the goddess of beauty and patron of the cosmetic arts. Her traditional votive offering was two mirrors and she was often depicted on mirrors and cosmetic palettes. Yet she was not considered to be vain or shallow, rather she was assured of her own beauty and goodness and loved beautiful and good things. She was known as “the mistress of life” and was seen as the embodiment of joy, love, romance, perfume, dance, music and alcohol.

Hathor was especially connected with the fragrance of myrrh incense, which was considered to be very precious and to embody all of the finer qualities of the female sex. Hathor was associated with turquoise, malachite, gold and copper. As “the Mistress of Turquoise” and the “lady of Malachite” she was the patron of miners and the goddess of the Sinai Peninsula (the location of the famous mines). The Egyptians used eye makeup made from ground malachite which had a protective function (in fighting eye infections) which was attributed to Hathor.

As the “lady of the west” and the “lady of the southern sycamore” she protected and assisted the dead on their final journey. Trees were not commonplace in ancient Egypt, and their shade was welcomed by the living and the dead alike. She was sometimes depicted as handing out water to the deceased from a sycamore tree (a role formerly associated with Amentet who was often described as the daughter of Hathor) and according to myth, she (or Isis) used the milk from the Sycamore tree to restore sight to Horus who had been blinded by Set. Because of her role in helping the dead, she often appears on sarcophagi with Nut (the former on top of the lid, the later under the lid).

She occasionally took the form of the “Seven Hathors” who were associated with fate and fortune telling. It was thought that the “Seven Hathors” knew the length of every childs life from the day it was born and questioned the dead souls as they travelled to the land of the dead. Her priests could read the fortune of a newborn child, and act as oracles to explain the dreams of the people. People would travel for miles to beseech the goddess for protection, assistance and inspiration. The “Seven Hathors” were worshiped in seven cities: Waset (Thebes), Iunu (On, Heliopolis), Aphroditopolis, Sinai, Momemphis, Herakleopolis, and Keset. They may have been linked to the constellations Pleiades.

However, she was also a goddess of destruction in her role as the Eye of Ra – defender of the sun god. According to legend, people started to criticise Ra when he ruled as Pharaoh. Ra decided to send his “eye” against them (in the form of Sekhmet). She began to slaughter people by the hundred. When Ra relented and asked her to stop she refused as she was in a blood lust. The only way to stop the slaughter was to colour beer red (to resemble blood) and pour the mixture over the killing fields. When she drank the beer, she became drunk and drowsy, and slept for three days. When she awoke with a hangover she had no taste for human flesh and mankind was saved. Ra renamed her Hathor and she became a goddess of love and happiness. As a result, soldiers also prayed to Hathor/Sekhmet to give them her strength and focus in battle.

Of course, Thoth already had a wife, Seshat (the goddess of reading, writing, architecture and arithmetic), so Hathor absorbed her role including acting as a witness at the judgement of the dead. Her role in welcoming the dead gained her a further husband – Nehebkau (the guardian of the entrance of the underworld). Then when Ra and Amun merged, Hathor became seen as the wife of Sobek who was considered to be an aspect of Amen-Ra. Yet Sobek was also associated with Seth, the enemy of Horus!

She took the form of a woman, goose, cat, lion, malachite, sycamore fig, to name but a few. However, Hathor’s most famous manifestation is as a cow and even when she appears as a woman she has either the ears of a cow, or a pair of elegant horns. When she is depicted as entirely a cow, she always has beautifully painted eyes. She was often depicted in red (the color of passion) though her sacred color is turquoise.

It is also interesting to note that only she and the dwarf god Bes (who also had a role in childbirth) were ever depicted in portrait (rather than in profile). Isis borrowed many of her functions and adapted her iconography to the extent that it is often difficult to be sure which of the two goddesses is depicted. However, the two deities were not the same. Isis was in many ways a more complex deity who suffered the death of her husband and had to fight to protect her infant son, so she understood the trials and tribulations of the people and could relate to them. Hathor, on the other hand, was the embodiment of power and success and did not experience doubts.

While Isis was merciful, Hathor was single minded in pursuit of her goals.

When she took the form of Sekhmet, she did not take pity on the people and even refused to stop killing when ordered to do so.

to be continued……