Blogger’s notes:

I, Sista.In.Solidarity, will tell you not only my story, but those of bredrin en sistren, of elders en ancestors, for the sake of our children en those yet to be born….

because we [‘ve probably heard many parts of these hadithi before, we already] KNOW, but if our children are the future re-incarnate, then how satisfied are we with our (supposedly)  civilized trend of forgetfulness?

Hadithi? Hadithi? Nipe hadithi?

The Q werd is a mystic, organic en (us)people-driven hadithi caravan of video diaries. Nothing like the L word, in many ways like I love U People, with a continental twist…….the crux of the series is big love en big mobilizing for, and, within (pan) Afrikan communities (en with our allies)

Hadithi? Hadithi? Nipe mji?

Nilienda meroe, hapo wahenga waliniambia hadithi ya Isis, Oshun, Oya, na Yemoja.

The (inaugural) hadithi ya i,S.I.S, is from the Q werd blog of the day,

http://bedsofpurple.wordpress.com/orishas/

These are some of her parts…..

 “Yemaya is one of the most powerful Goddesses found in the many African-Caribbean traditions. Her name is Yemaya, or Ymoja as she was known to the Yoruban people of West Africa.

She is the Mother of the Ogun River and was also referred to as the “Mother of the Waters”. This is because she is said to give birth to the world’s waters – that new springs would appear whenever she turned over in her sleep, and that springs would also gush forth and turn into rivers wherever she walked.

Together with Oshun and Oya (the guardians of the River Niger), Yemaya was said to be “supreme in the arts of mystic retribution”, and protected her people “against all evil”.

Yemaya is a merciful Goddess who women called upon for aid during childbirth, and the Goddess to whom her people prayed to for fertility, especially by women who have trouble conceiving. According to legend, she birthed 14 of the Yoruban Gods and Goddesses (also referred to as “orishas”). This came about through her being raped by her own son. After this ordeal, Yemaya lay a curse upon him, causing him to die. However, when this happened, the Goddess chose to die as well, and went upon a mountain peak. As she died, the bursting of her uterine waters caused a great flood which, in turn, created the oceans, and from her womb, the 14 orishas were born.

 When the Yoruban people were enslaved, their Goddess went with them, sustaining them with life even in the face of the darkest times, in the new world. When her people were brought to the Americas, Ymoja became known as Yemaya, the “Mother of the Ocean”, for this was the first time that her people had came into contact with the ocean. As the Yoruban people were not allowed to practice their beliefs in this new world, they merged their deities with images of Catholic saints, and subsequently created a number of new religions – Santeria in Cuba, Voudoun in Haiti, Macumba in Brazil, and Candomble in Bahia. Within all these differing religions, Yemaya is still revered as a powerful deity.

To the Brazilian Macumba, she is known as Imanje, the Ocean Goddess of the Crescent Moon. In Cuba, there are many variants to her name – while Yemaya Ataramagwa was the wealth Queen of the Sea, she was also the stern Yemaya Achabba, the violent Yemaya Oqqutte (violent aspect), and the overpowering Yemaya Olokun, who could only be seen in dreams. To the people of Haiti, the Goddess is known as Agwe, and as La Balianne to the people of New Orleans.

Being a Goddess of the Sea, Yemaya is often depicted as a beautiful mermaid, or wearing seven skirts of blue and white. The cowrie shell is sacred to her and her places of worship are the seashores, or large rivers that flow into the sea. In Brazil, where she is referred to as “”Our Lady of the Immaculate Conception”, crowds still gather today on the beach of Bahia to celebrate Candalaria, a ceremony in which offerings of soap, perfume, and jewellery are thrown into the sea in honour of Yemaya. Letters of requests to the Goddess are thrown also. The people wait to see if their offerings are accepted by the Goddess, or returned to them upon the waves. It is believed that the Goddess would wash away the troubles of her followers with her waters, the waters of the womb of creation and dreams.

Colours attributed to Yemaya are blue, silver and white. Symbols are the six-pointed star, an open shell, the Moon, and bodies of water. Stones are turquoise (and other light blue crystals), pearl, mother-of-pearl and coral. The trout lily and sea lavender are her flowers, while sandalwood, tea rose, lilac and frangipani are her fragrances. She is also said to be fond of melons.”

To be continued…..

 Additional reading:

Did you know?….. mami wota in our stories

In a political ploy probably designed to legitimize her reign, after inheriting her father’s expanding colonial kingdoms at the age of 17, the Macedonian (Greek) Cleopatra IV and her 10 year old brother (Theos Philopator)-Ptolemy XIII, installed as the new rulers of Egypt, in imitation of the African queen mothers, reputedly built herself a (now destroyed) Mammisi shrine at Erment (Upper Egypt), when giving birth to her first son. She even had inscribed in her shrine the traditional priestly attributes including depicting herself giving birth to Julius Caesar’s son, being assisted by the seven Netjers (divine African ancestors, including Isis and Osiris). However, lacking the ancestral connection to the divine spirits, she thought she could fake it by trying desperately (without success) to obtain the sacred prophetic poems of the Eastern Masses, authored by the great Sibylline (Mami) prophetesses’. Undeterred, she ordered her conquered African subjects to address her as the “New Isis.” Ironically, she met her demised when she was fatally bitten by one of the sacred asp (serpents). (Walker 1983, p.573, Britannica 1974, Vol. 6, p.484, Vol 8, p. 386, Vol. I p. 261, VIII p.282, Nicholson, p.264,269,Lindsay 1971, p. 384).

[original source: http://www.mamiwata.com/mami.htm]

 

“Our appeal is straightforwardly based on the need for clemency as an essential element in the attainment of that healing process which the present national leader swore to embark upon, on taking oath of office. Without being superstitious, we cannot but observe how a 10-year cycle of blood-letting appears to have become an incubus on the very life of the nation’s Armed Forces – 1966, 1976 and now 1986. You possess the will to break this jinx. You have the moral duty to exercise that will.”

– Chinua Achebe, J.P Clark and Wole Soyinka in a petition to General Ibrahim Babangida at Dodan Barracks on March 4, 1986

blogger’s note: you probably already know this story, references to ancient Afrikan cultures are all over the net en the world….so here’s another one of them…of the gran (primeval) mama of us all  (emphasis on ‘the capital’ in the Q werd)

Adapted from http://www.ancientegyptonline.co.uk/hathor.html

Hathor is one of the most ancient Egyptian goddesses. She was known as “the Great One of Many Names” and her titles and attributes are so numerous that she was important in every area of the life and death of the ancient Egyptians. It is thought that her worship was widespread even in the Predynastic period because she appears on the Narmer palette. However, some scholars suggest that the cow-headed goddess depicted on the palette is in fact Bast (an ancient cow goddess who was largely absorbed by Hathor) or even Narmer himself. However, she was certainly popular by the Old Kingdom as she appears with Bast in the valley temple of Khafre at Giza. Hathor represents Upper Egypt and Bast represents Lower Egypt

She was originally a personification of the Milky Way, which was considered to be the milk that flowed from the udders of a heavenly cow (linking her with Nut, Bat and Mehet-Weret). As time passed she absorbed the attributes of many other goddesses but also became more closely associated with Isis, who to some degree usurped her position as the most popular and powerful goddess. Yet she remained popular throughout Egyptian history. More festivals were dedicated to her and more children were named after her than any other god or goddess. Her worship was not confined to Egypt and Nubia. She was worshipped throughout Semitic West Asia, Ethiopian, Somlia and Libya, but was particularly venerated in the city of Byblos.

She was a sky goddess, known as “Lady of Stars” and “Sovereign of Stars” and linked to Sirius (and so the goddesses Sopdet and Isis). Her birthday was celebrated on the day that Sirius first rose in the sky (heralding the coming innundation). By the Ptolemaic period, she was known as the goddess of Hethara, the third month of the Egyptian calendar.

Hathor was also the goddess of beauty and patron of the cosmetic arts. Her traditional votive offering was two mirrors and she was often depicted on mirrors and cosmetic palettes. Yet she was not considered to be vain or shallow, rather she was assured of her own beauty and goodness and loved beautiful and good things. She was known as “the mistress of life” and was seen as the embodiment of joy, love, romance, perfume, dance, music and alcohol.

Hathor was especially connected with the fragrance of myrrh incense, which was considered to be very precious and to embody all of the finer qualities of the female sex. Hathor was associated with turquoise, malachite, gold and copper. As “the Mistress of Turquoise” and the “lady of Malachite” she was the patron of miners and the goddess of the Sinai Peninsula (the location of the famous mines). The Egyptians used eye makeup made from ground malachite which had a protective function (in fighting eye infections) which was attributed to Hathor.

As the “lady of the west” and the “lady of the southern sycamore” she protected and assisted the dead on their final journey. Trees were not commonplace in ancient Egypt, and their shade was welcomed by the living and the dead alike. She was sometimes depicted as handing out water to the deceased from a sycamore tree (a role formerly associated with Amentet who was often described as the daughter of Hathor) and according to myth, she (or Isis) used the milk from the Sycamore tree to restore sight to Horus who had been blinded by Set. Because of her role in helping the dead, she often appears on sarcophagi with Nut (the former on top of the lid, the later under the lid).

She occasionally took the form of the “Seven Hathors” who were associated with fate and fortune telling. It was thought that the “Seven Hathors” knew the length of every childs life from the day it was born and questioned the dead souls as they travelled to the land of the dead. Her priests could read the fortune of a newborn child, and act as oracles to explain the dreams of the people. People would travel for miles to beseech the goddess for protection, assistance and inspiration. The “Seven Hathors” were worshiped in seven cities: Waset (Thebes), Iunu (On, Heliopolis), Aphroditopolis, Sinai, Momemphis, Herakleopolis, and Keset. They may have been linked to the constellations Pleiades.

However, she was also a goddess of destruction in her role as the Eye of Ra – defender of the sun god. According to legend, people started to criticise Ra when he ruled as Pharaoh. Ra decided to send his “eye” against them (in the form of Sekhmet). She began to slaughter people by the hundred. When Ra relented and asked her to stop she refused as she was in a blood lust. The only way to stop the slaughter was to colour beer red (to resemble blood) and pour the mixture over the killing fields. When she drank the beer, she became drunk and drowsy, and slept for three days. When she awoke with a hangover she had no taste for human flesh and mankind was saved. Ra renamed her Hathor and she became a goddess of love and happiness. As a result, soldiers also prayed to Hathor/Sekhmet to give them her strength and focus in battle.

Of course, Thoth already had a wife, Seshat (the goddess of reading, writing, architecture and arithmetic), so Hathor absorbed her role including acting as a witness at the judgement of the dead. Her role in welcoming the dead gained her a further husband – Nehebkau (the guardian of the entrance of the underworld). Then when Ra and Amun merged, Hathor became seen as the wife of Sobek who was considered to be an aspect of Amen-Ra. Yet Sobek was also associated with Seth, the enemy of Horus!

She took the form of a woman, goose, cat, lion, malachite, sycamore fig, to name but a few. However, Hathor’s most famous manifestation is as a cow and even when she appears as a woman she has either the ears of a cow, or a pair of elegant horns. When she is depicted as entirely a cow, she always has beautifully painted eyes. She was often depicted in red (the color of passion) though her sacred color is turquoise.

It is also interesting to note that only she and the dwarf god Bes (who also had a role in childbirth) were ever depicted in portrait (rather than in profile). Isis borrowed many of her functions and adapted her iconography to the extent that it is often difficult to be sure which of the two goddesses is depicted. However, the two deities were not the same. Isis was in many ways a more complex deity who suffered the death of her husband and had to fight to protect her infant son, so she understood the trials and tribulations of the people and could relate to them. Hathor, on the other hand, was the embodiment of power and success and did not experience doubts.

While Isis was merciful, Hathor was single minded in pursuit of her goals.

When she took the form of Sekhmet, she did not take pity on the people and even refused to stop killing when ordered to do so.

to be continued……