blogger’s note: in this countdown to the ‘official’ (biggest) pan-afrikan holiday, we’re going to not only (re)vision where we’re coming from, giving thanx for the legacies en sacrifices of our ancestors, our people, en the future we’re preparing for,

but also, interrogate where we’re at NOW, like with-in (myself) en OUT, communally with all the gaps and dis-unity, (en ALL  the intersections, betwixt en between)

(like) dis’ hadithi ya the prosecution and imprisonment of steven monjeza na tiwonge chimbalanga is (pure) madness,

a ‘living’ example of the convoluted ways that we have internalised ‘foreign’ ideologies en  turned to attacking en criminalizing bredrin en sistren for misguided en oppressive reasons,

like it’s all a part of the master plan?

forgive them father, they know not what they do kinda song?

nigga(s) please, let’s jus’ stop hating (ourselves en) on each other!

if it were all that simple to reclaim love for ourselves with the preach en human rights speech no?

with papa malcolm’s anniversary jus’ one day gone, and ALD just 4 days away, (more than a few) big symbols of  all the labour that has gone into the freedom we DO  have,all the more reason to give thanx for en share stories of peace, and (of) the people willing to fight for it, by any means necessary!  afrika huru! ase o….

21 May 2010

UN human rights chief says sentence on Malawi gay couple is discriminatory and sets dangerous precedent

GENEVA – The UN High Commissioner for Human Rights Navi Pillay said Friday that the prosecution and sentencing of 14 years imprisonment with hard labour for a Malawian gay couple, imposed by a court in Malawi on Thursday, is “blatantly discriminatory” and sets an alarming precedent in the region for the treatment of lesbian, gay, bisexual and transgender people, as well as groups that support them.

“I am shocked and dismayed by the sentence and reports of the treatment of Steven Monjeza and Tiwonge Chimbalanga while in detention,” Pillay said. “The law which enabled the conviction dates back to the colonial era and has lain dormant for a number of years – rightly so, because it is discriminatory and has the effect of criminalizing and stigmatizing people based on perceptions of their identity. If this was replicated worldwide, we would be talking about the widespread criminalization of millions of people in consensual relationships and the rampant violation of privacy.”  

 “Laws that criminalize people on the basis of their sexual orientation are by their nature discriminatory, and as such are in apparent violation of a number of key international treaties and instruments, including the African Charter on Human and People’s Rights*,” Pillay said “Unfortunately they still exist in quite a number of countries across the world. The trend should be towards getting rid of them, as is the case with other forms of discrimination. Instead, some countries, including Malawi, seem to be heading in the opposite direction.”

 The High Commissioner called for the conviction to be repealed and for the penal codes criminalizing homosexuality to be reformed.

 She said she was also concerned that this case appears to have stimulated a marked deterioration in official and public attitudes in Malawi, not just towards individuals perceived as being homosexual but also towards organizations that speak out about sexual orientation and related issues, including ones doing vital work to mitigate the impact of HIV/AIDS.  

 

“I fear the reverberations of this decision, along with the recent attempt to bring in a new draconian bill aimed at homosexuals in Uganda, could have severe repercussions throughout the African continent,” Pillay said. “It will inevitably drive same-sex couples underground, and if this trend continues and spreads, not only will it mark a major setback to civil liberties, it could have a disastrous effect on the fight against HIV/AIDS. So, in addition to the serious moral and legal ramifications of this decision, it raises intensely practical problems as well.”    

The High Commissioner dismissed the argument that non-discrimination against people on the grounds of sexual orientation is a cultural issue. “It is a question of fundamental rights,” she said, “not one of geography, history or disparate cultures. The protection of individuals against discrimination is pervasive in international human rights law. Why should it be suspended for this one group of human beings?”

(*) Article 2:Every individual shall be entitled to the enjoyment of the rights and freedoms recognized and guaranteed in the present Charter without distinction of any kind such as race, ethnic group, color, sex, language, religion, political or any other opinion, national and social origin, fortune, birth or other status. Article 19:All peoples shall be equal; they shall enjoy the same respect and shall have the same rights. Nothing shall justify the domination of a people by another.

Learn more about the UN High Commissioner for Human Rights, Navi Pillay: http://www.ohchr.org/EN/AboutUs/Pages/HighCommissioner.aspx

Click here to visit OHCHR website: http://www.ohchr.org

OHCHR Country Page – Malawi: http://www.ohchr.org/EN/Countries/AfricaRegion/Pages/MWIndex.aspx

For more information or interviews contact: Rupert Colville at + 41 22 917 9767

My favourite things about today are yet to come, I love Thursdays for the simple reason that I know every night will be a ‘jood’ one. En I get one night closer to Saturday, another one of those (guaranteed) ‘jood’ time(s), the rest of my evenings are up for grabs by wind (dadas), moon, sun, rain, work en love

Tonight, I’mma break my ritual(s) and go for the (pre)screening of ‘red lips’ instead, in this space en (neo-colonial/post-modern) times, you gotta take stories about (queer/trans/pan) afrikans wherever they offer themselves.  It’s (not) often en (not) widespread, (depending on how/en/where you look at/read it)…

Even though I haven’t even ‘seen’ the (short) film yet, haven’t ‘read’ the reviews, seen the ads, or followed it on any social engine, I’ve marked off the premiere of the Legacy Video Project in my calendar. http://www.insideout.on.ca/20/program_details.php?id=31

It’s ‘special’ in so many ways, one of those (community) rituals that define (not only) my ‘Canadian’ (en Tdot) status (butof  a fragmented and intersecting group of ‘others’).

http://www.insideout.ca/20/schedule/index.php

For (almost) as long as I’ve lived in this country, I have attended the festival; I first volunteered in Tdot @ InsideOut; most of my ‘official’ film experience has been thanks to the queer youth digital video project &

….ndio, there’s a pattern, so, ofcourse I have a sweet spot for all things queer(trans) en (film&video)spice (many others do, en feel me on this too – uchandirayasi!) en it’s (notso) obvious that I have plenty access en privilege to re/define myself in queer & trans positive spaces.

These are one of the many reasons Tdot could ‘potentially’ be the ‘best’ city in the world, we’re a ‘nicer’ (version of) New York (or so I’ve heard, coz I ain’t crossed THAT  border yet, but from what I heard, it sounds like, from a pan-afrikan perspective, the only ting’ that New York has over Tdot is Brooklyn en the Bronx, Manhattan is just so gay), en if you’re an Afrikan in the diaspora, where better to experience the whole world (if you choose to) than in (dis) one city?

Where so many ‘others’ re/define one of the national landmark/s of turtle island? (you couldn’t experience such living in jo’burg, kampala, kigali, lagos, mogadishu, monrovia or nairobi, maybe with enough time en immigrants…..)

En yes, if you unpack these hadithi, you’d read I was telling you this, because it’s Very.Important.People.  I have (more than 31) personal (en political) reasons to be going to see ‘red lips’ tonight…the actions (are) layered, (en symbolic) as markers in the ‘Q’ werd.

Red lips, is the crux, is swagger, is nneke dumele, audrey mbugua & tomee sojourner, trey anthony, zanele muholi, wahu kaara & pouline kimani, bombastic kasha & victor mukasa, tajudeen abdul raheem & audre lorde, seven sisters & anitafrika dub theatre…(many) dadas en bredrin in solidarity, in film/theory but not nearly as many as we need in practice, in intersecting and separate spaces, for different purposes, all to rebuild en reclaim ourselves en our communities….

we gotta still continue from ‘here’, give thanks not only for who we’ve got, or where we’re coming from, but for what’s coming as we prepare…..

the big(ger) point is that we are not the only ones who’ve found (some of) what we’ve been looking for.  We  ARE  the ones we’ve been looking for, so now what?  the crux is working on OUR  unity (first), en manifesting our (re)visions, (or, jus’ what IS  the crux?)

Since time, everything that one does (re)defines oneself, and since ‘we’ walked, we’ve (re)defined ourselves in groups, labelled God/dess(es), en change/d….. in other words, this is a(nother) pan-afrikan postcard, another hadithi of dadas (en mamas) in solidarity

I’m going to see red lips tonight for (more than)a few reasons; I’ve read en heard the story, witnessed en shared in parts of its production, en I (am in) love (with) the performance of this hadithi. There’s something about any producer who delves into the significance of healing en self recovery for womyn through ritual en wota, en about the ‘actors’ who re/tell the story with their (own) body-memories,  something about taking time to see (beautiful/performance) art used for revolushunary change, it’s like (good) food for the soul en dadas.(practis)in(g).solidarity, which is quite simply, jood!

ofcourse i’m also jus more likely to be going coz, the womyn who produced the piece is not only (a) fine as may wine (dada who knows many other sweet as honey sistas) but one of the many afrikans  (or few, depending on how/where you look at/read it) who’ve shared their energy, love, teachings, en time with me…..one of the many that I been looking for, who’ve changed not only me, but others…

And now that it’s spring (or autumn depending on where your latitude is at) again, and (my) be/loved let me go, now that I’ve (quite literally) fallen through the hole en like ‘Alice in Wonderland’ (this is real when I say I volunteered at my first un-Anniversary last nite, so today of all days, I feel particularly qualified to speak on matters of peace & conflict, magic.of.symbolism, truth & reconciliation), today I feel particularly ‘entitled’ to getting some ‘honey’ , I wasn’t beheaded by the Queen, she eve/n ‘spoke’ to me, I ate good food en mostly tended a hookah with a surreal caterpillar, en all in all had quite a sweet (un-anniversary) time…something like when I went to see the ‘other’ queen, the week before that….(went to) fe(e)d the wota, en she gave me some priceless gifts in return…

 (but now that’s another hadithi)…

 the bigger point is that (those) red lips are one of the 31 hadithi of the ‘Q’ werd.

A mystic, organic, and (us) people driven caravan of (change en) pan-afrikan stories.

http://www.anitafrika.com/

Something like a series of auto-myth(o)-biographies en interviews with ordinary people en (super/s)heroes, retelling our true true stories for the sake of pikney. Because if we don’t tell them our true true stories, who will? En if we don’t practice peace, (en fight for our freedom by any means necessary) then where will ‘they’ learn (IT) from?

These are  the true true stories of  sistas.in.solidarity (SIStas.I.S) in the ‘Q’ werd.

Their stories are not new, en we’ll share them (again en again en again) coz these are some of the one’s we’ve been looking for, the ones holding us up (en in their/arms), who we struggle with en whose legacies we’re inspired by, whose shoulders we stand on, en in whose bedrooms, farms, kitchens, business/es en classes we commune…..

these are symbols of ‘when things were cool…’ (as wota)  [Back in the Day(when ‘our’ wo/men ruled Afrika)sung byErykah Badu

sweet as honey, fine as may wine…..

 

A is for [Mama] Afrika….

We have a beautiful mother

Her green lap immense

Her brown embrace eternal

Her blue body everything we know

[from Alice Walker]

 

B is for (betwixt en between) big love (D.I.S fundraiser scheduled/for Black August month)

 

 

C is (for) the crux.

These interviews are with people we know (not well enough), that we love (en honour), that have changed not only us, but others, en throw wicked parties while they’re at it, coz what’s all the struggle(ing) for if you can’t wind down?….

the super/s/heroes of swagger: charysse robinson & mel fernandes are on our wishlist for D.I.S

 

D is Dadas in solidarity, doing our best to unite our people…

 E is for…elephant.memories……shine(ing).(a).light.for.the.wor(l)d

The truth about our stories is they’re all we are, so we’re weaving a(nother) pan-afrikan narrative,

Of werd on the ground en the imagination of ‘dadas (en bredrin) in solidarity’…

These are (y)our stories, do what/ever you want with them, cry, laugh, forget about it, share them, but don’t say you’d lived have your life differently if only you’d heard these stories, now you know.

The first series will feature 31 stories of kings & queens (in 14 acts).

These posts are nothing more or less than a (pre)view of what’s coming (not-so) soon to a screen near you, (something like) a video diary of supersheroes

The Q werd debuts on June 30 2010.[Youtube=http://www.youtube.com/watch?v=NBQz0Kh71-Q&feature=related]

like there’s a story I know many people (think they) know, it’s in ‘the bible’, in the books, much corrupted, so jus what is the true true story of say,

[Youtube=http://www.youtube.com/watch?v=BxRGZlrB0Do&feature=PlayList&p=A7DD6E45EED383D8&playnext_from=PL&playnext=1&index=11]

 

ACT II

[Youtube=http://www.youtube.com/watch?v=X4egFqfNaUU&feature=related]

queens (of Afrika) by many names

[Youtube=http://www.youtube.com/watch?v=c6e7Tg6rSgI&feature=PlayList&p=DC5D67E9B502B4AD&playnext_from=PL&index=0&playnext=1]

ACT III

[Youtube=http://www.youtube.com/watch?v=iXB31g7el10&feature=related]

Truth is……

[Youtube=http://www.youtube.com/watch?v=_Uds1EhIK7s&feature=related]

ACT IV

[Youtube=http://www.youtube.com/watch?v=dz90-nG4apo&feature=related]

A King by any other name…..

[Youtube=http://www.youtube.com/watch?v=2NXN4pIblLI]

ACT V

[Youtube=http://www.youtube.com/watch?v=XC2jV2j270k&feature=related]

(many) legends of Afrika

[Youtube=http://www.youtube.com/watch?v=1C-aDqgVqzY&feature=related]

 ACT VI

[Youtube=http://www.youtube.com/watch?v=QwLVVQUW_sQ&feature=related]

Ashe

[Youtube=http://www.youtube.com/watch?v=hHEyzL1g3w8&feature=related]

 

ACT VII

[Youtube=http://www.youtube.com/watch?v=_gv0vjpKgVw&feature=related]

Hadithi? Hadithi?

[YOUTUBE=http://www.youtube.com/watch?v=uq0pygjQK74&feature=related]

to be continued….

The crux is in reclaiming the truth about ourselves,en in the journey of working on OUR unity, by any means necessary!

(some) Facts. Many Catholic scholars now deny that there was ever a female pope, but the legend of Pope Joan persists. Even the church accepted Joan’s pontificate as historical fact, up to the beginning of the 17th century.

Her portrait appeared in a row of papal busts in Siena Cathedral, labeled Johannes VIII, femina ex Anglia:

John VIII, an Englishwoman.

Pope Joan was first mentioned by her contemporary Anastasius the Librarian (d.886).

 Scotus’s chronicle of the popes listed her:

“A.D 854, Lotharii 14, Joanna, a woman, succeeded Leo, and reigned two years, five months, and four days.”……

Pope Joan many not have been so apocryphal as she is now portrayed. Part of the church’s most carefully hidden history shows that there were women in high ecclesiastical positions up to the 12th century, when they began to be deposed in Europe…….

The Papess of the Tarot Decks was often called Pope Joan. When the first Tarot decks were being (re)produced, Joan’s pontificate was universally accepted as historical fact. The card-Papess’s three-tiered tiara was the same as the headdress shown on engravings of Pope Joan…..

(but) whether Pope Joan existed or not, a curious Vatican custom arose in the wake of her legend. Candidates for the papacy had to seat themselves naked on an open stool, to be viewed through a hole in the floor by cardinals in the room below. The committee had to make its official announcement:

Testiculo habet et bene pendentes,

“he has testicles, and they hang all right.”

It seemed important that “Holy Mother Church” must never be governed by a Holy Mother….

[Blogger’s note: Pope Joan’s is a herstorical landmark in the Tdot of the Q werd. a real gender bender…….excerpt/ed from Woman’s Encyclopedia of Myths and Secrets, Barbara Walker, p. 475]

Na bado, ni kweli kama hadithi ya……

 Juno

…had many attributes or emanations which are sometimes erroneously viewed as separate Goddesses. Juno Fortuna (Fortune), Sospita (Preserver), Regina(Queen of Heaven), Lucina(Celestial Light), Moneta (Advisor/Admonisher), Martialis (mother of Mars), Carprotina/Februa(love), Populonia (mother of the people), en so on, through many other Junos….

Among Juno’s sacred symbols were the peacock, the cowrie shell, and ofcourse, the lily, or lotus, universal yonic emblem. With her sacred lily, Juno conceived the God Mars without any assistance from her consort, Jupiter; later to be called the Blessed Virgin Juno.

The three-lobed lily that used to represent her parthenogenetic power was inherited by the ‘virgin’ Mary, who still retains it.

[The Woman’s Encyclopedia of Myths and Secrets: p.484, Juno.]

To be continued….

blogger’s note: you probably already know this story, references to ancient Afrikan cultures are all over the net en the world….so here’s another one of them…of the gran (primeval) mama of us all  (emphasis on ‘the capital’ in the Q werd)

Adapted from http://www.ancientegyptonline.co.uk/hathor.html

Hathor is one of the most ancient Egyptian goddesses. She was known as “the Great One of Many Names” and her titles and attributes are so numerous that she was important in every area of the life and death of the ancient Egyptians. It is thought that her worship was widespread even in the Predynastic period because she appears on the Narmer palette. However, some scholars suggest that the cow-headed goddess depicted on the palette is in fact Bast (an ancient cow goddess who was largely absorbed by Hathor) or even Narmer himself. However, she was certainly popular by the Old Kingdom as she appears with Bast in the valley temple of Khafre at Giza. Hathor represents Upper Egypt and Bast represents Lower Egypt

She was originally a personification of the Milky Way, which was considered to be the milk that flowed from the udders of a heavenly cow (linking her with Nut, Bat and Mehet-Weret). As time passed she absorbed the attributes of many other goddesses but also became more closely associated with Isis, who to some degree usurped her position as the most popular and powerful goddess. Yet she remained popular throughout Egyptian history. More festivals were dedicated to her and more children were named after her than any other god or goddess. Her worship was not confined to Egypt and Nubia. She was worshipped throughout Semitic West Asia, Ethiopian, Somlia and Libya, but was particularly venerated in the city of Byblos.

She was a sky goddess, known as “Lady of Stars” and “Sovereign of Stars” and linked to Sirius (and so the goddesses Sopdet and Isis). Her birthday was celebrated on the day that Sirius first rose in the sky (heralding the coming innundation). By the Ptolemaic period, she was known as the goddess of Hethara, the third month of the Egyptian calendar.

Hathor was also the goddess of beauty and patron of the cosmetic arts. Her traditional votive offering was two mirrors and she was often depicted on mirrors and cosmetic palettes. Yet she was not considered to be vain or shallow, rather she was assured of her own beauty and goodness and loved beautiful and good things. She was known as “the mistress of life” and was seen as the embodiment of joy, love, romance, perfume, dance, music and alcohol.

Hathor was especially connected with the fragrance of myrrh incense, which was considered to be very precious and to embody all of the finer qualities of the female sex. Hathor was associated with turquoise, malachite, gold and copper. As “the Mistress of Turquoise” and the “lady of Malachite” she was the patron of miners and the goddess of the Sinai Peninsula (the location of the famous mines). The Egyptians used eye makeup made from ground malachite which had a protective function (in fighting eye infections) which was attributed to Hathor.

As the “lady of the west” and the “lady of the southern sycamore” she protected and assisted the dead on their final journey. Trees were not commonplace in ancient Egypt, and their shade was welcomed by the living and the dead alike. She was sometimes depicted as handing out water to the deceased from a sycamore tree (a role formerly associated with Amentet who was often described as the daughter of Hathor) and according to myth, she (or Isis) used the milk from the Sycamore tree to restore sight to Horus who had been blinded by Set. Because of her role in helping the dead, she often appears on sarcophagi with Nut (the former on top of the lid, the later under the lid).

She occasionally took the form of the “Seven Hathors” who were associated with fate and fortune telling. It was thought that the “Seven Hathors” knew the length of every childs life from the day it was born and questioned the dead souls as they travelled to the land of the dead. Her priests could read the fortune of a newborn child, and act as oracles to explain the dreams of the people. People would travel for miles to beseech the goddess for protection, assistance and inspiration. The “Seven Hathors” were worshiped in seven cities: Waset (Thebes), Iunu (On, Heliopolis), Aphroditopolis, Sinai, Momemphis, Herakleopolis, and Keset. They may have been linked to the constellations Pleiades.

However, she was also a goddess of destruction in her role as the Eye of Ra – defender of the sun god. According to legend, people started to criticise Ra when he ruled as Pharaoh. Ra decided to send his “eye” against them (in the form of Sekhmet). She began to slaughter people by the hundred. When Ra relented and asked her to stop she refused as she was in a blood lust. The only way to stop the slaughter was to colour beer red (to resemble blood) and pour the mixture over the killing fields. When she drank the beer, she became drunk and drowsy, and slept for three days. When she awoke with a hangover she had no taste for human flesh and mankind was saved. Ra renamed her Hathor and she became a goddess of love and happiness. As a result, soldiers also prayed to Hathor/Sekhmet to give them her strength and focus in battle.

Of course, Thoth already had a wife, Seshat (the goddess of reading, writing, architecture and arithmetic), so Hathor absorbed her role including acting as a witness at the judgement of the dead. Her role in welcoming the dead gained her a further husband – Nehebkau (the guardian of the entrance of the underworld). Then when Ra and Amun merged, Hathor became seen as the wife of Sobek who was considered to be an aspect of Amen-Ra. Yet Sobek was also associated with Seth, the enemy of Horus!

She took the form of a woman, goose, cat, lion, malachite, sycamore fig, to name but a few. However, Hathor’s most famous manifestation is as a cow and even when she appears as a woman she has either the ears of a cow, or a pair of elegant horns. When she is depicted as entirely a cow, she always has beautifully painted eyes. She was often depicted in red (the color of passion) though her sacred color is turquoise.

It is also interesting to note that only she and the dwarf god Bes (who also had a role in childbirth) were ever depicted in portrait (rather than in profile). Isis borrowed many of her functions and adapted her iconography to the extent that it is often difficult to be sure which of the two goddesses is depicted. However, the two deities were not the same. Isis was in many ways a more complex deity who suffered the death of her husband and had to fight to protect her infant son, so she understood the trials and tribulations of the people and could relate to them. Hathor, on the other hand, was the embodiment of power and success and did not experience doubts.

While Isis was merciful, Hathor was single minded in pursuit of her goals.

When she took the form of Sekhmet, she did not take pity on the people and even refused to stop killing when ordered to do so.

to be continued……

 The truth according to makmende is……

blogger’s note: this is a spoof of a spoof of very serious matters. It is definitely not to be taken as the gospel truth of afrikan liberation, then again what is the truth of our freedom?…..FUN.damentalism na hadithi that affirm OUR power….

the beauty about stories is that WE re/tell them, en we change/d them, en we can re/vision almost  any parts  we want.

 The crux is (in) manifest.ing the truth en re/build.ing with others, much easier said than practised.

Like, all jokes aside, I love where Makmende comes from ( and if at this point you’re still wondering who makmende is, then this post isn’t for you), I love that he’s one of our own, a uniquely urban Kenyan (Afrikan) meme, en a super hero by most accounts.

But, seriously, what would makmende really do to the ‘bad guys’? and just who are the ‘bad guys’? and if Hitler’s having a near makmende experience, then shouldn’t Bush, Raila, Kibaki, Pattni, Kiplagat, en many many ‘others’ jus go hang themselves with tissue paper?

Because we sho’ as hell working hard on exploiting en breaking so many more of US down in private en in public, much more it would seem than figuring out this whole damu ni mzito kuliko maji thing….a concept that’s rendered alien when we deny kin/dred…..

what’s funny, sad, en much deeper than we can imagine are the connecshuns we share through our relationship to Afrikan/ness…..in the end, just a band, for all your hating on the ‘queers’ among us, you’re jus as bad as my ‘girlfriend’, a new Afrikan, (Goddess knows I love, respekt en admire her but she also has this divisive notion that she was taught) like many others  who insist that what they REALLY  are is African AMERICAN……to each their own, but  the question remains, what to do bout our own ?

is it really just enough to rewrite the script of white supremacist ideologues  with hateful/misguided beliefs of another flavour?

If you haven’t figured it out yet, these are the responses of an angry  Afrikan woman……one who’s laughed at en being inspired by the makmende videos, but who is definitely NOT  satisfied with the caricatures drawn of me en my sistas………I am NOT  Abscondita, Britannia Zimeisha, or one of Godfrey’s Laydayz, so technically I really don’t have no place passing judgement on their representations, I would love to hear THEIR  stories…..and I am definitely not (bigger than) makmende, so I submit to the power of the people speaking through griots, messengers, teachers en  facebook & youtube ratings.

All I have is a request, dear just a band, hadithi? Hadithi? Kitendawili? Would you tell me another story?

Like the true true legends of…..

Coz I love where you’re going with this, I been on this path many times before, so I suspect where we’re liable to get lost in the forest of black  nationalism & neo colonialist regimes. Do you think we may be missing the mark on the heart of the matter? If it’s love for our cultures, then is it really manifest? Do we even have to go across the oceans en use foreign scripts for our own purposes, are we not rich enough with our own?

From one (urban) Afrikan to another, do you think that (all jokes aside) WE are the problem?

I know there are so many more stories that we have, we know that we’ve denied many of them, even our sheng, the very language you use to re/tell makmende’s story, is divided along class/tribe lines, we all  KNOW the markers, but are we really manifest.ing our true true powers? is the current version of makmende really the best we can do?

If there’s many more pieces that I’m missing to the story about makmende’s  return, then please tell me me those bits, boss,  coz you got me hooked, but there really is plenty of fish in the ocean, so I’m prepared to swim with dolphins, en even on the back of a whale, anywhere to get to paradise….en I would prefer ogun or shango’s story any day to your (version of) makmende

a warrior by any other name

As many props as I give to the kings (en queens?) of just a band, I am still that ‘angry’ Afrikan woman who is NOT satisfied with the ‘latest’ picture, en is willing to work with my bredrin en sistren to change it, all the betta for us to build solidarity with……..

by any means necessary

so dear just a band, do you think you could change the script, to start just remove the ‘ushoga’  is the cause of our downfall parts……it’s a strategically homophobic en sinister connection that you’re drawing between sexuality and  the destruction of the ‘oppressors’, one that divides even comrades en families.

I am not Makmende’s enemy, yet in your video you try to make me one, and in your pieces, the enemy was supposed to be white supremacist ideologies, or was that just a matter of false advertising? Askyua mutha black militants en black sahara are really a big big joke, na tena, ka wahenga, nauliza je, hii ni ungwana? Again, is makmende really jus a spoof? will the ‘real’ revolutionary please stand up?

you see, Makmende is real because (s)he comes from the people, en dear just a band, not one person or group can  have  a copyright on makmende….so, I may not be able to take all your jokes, I may be taking this whole makmende goes after hitler thing too personally, and  too seriously, I may need to chillax with the whole defending queer rights thing…..but if I don’t name my anger then who will? En if you don’t take it seriously then who will?

Why even waste our time repeating the oppressor’s lies? Kitendawili? Mavi ya kuku ni….? and it don’t matter how much honey you pile on IT en laughter that you produce from IT…..what’s not true is…..new, en ushoga is as old as mama afrika herself…so why not just focus on what we need to re/member (about the ways of our ancestors) to move forward, en share some of OUR true true stories……

like the kinda shit that you just don’t have to make up

Dear just a band, we have much more in common than many would assume…….the beauty of makmende, is like the purloined letter, it’s an open secret that only a ‘nairobian’ can truly appreciate, en that all Afrikans should be able to translate…. makmende IS  bigger than just a band, congratulations!  You have achieved what you wanted en worked for…revived a legend through the creative use of media………now what?

makmende oh

What will makmende do next?