Last few week(end)s I been talking en hanging with mo’ bredrin en dadas that I love, respekt en admire so….reasoning bout many tings close to our hearts: love/r/s, families, dreams, passions, work,  our Afrikan stories, healing en the transitions that we’ve stumbled, are walking en continue grounding thru…so grateful for the manifestations of our quests to spread (salaam)  love en unity within our communities, I give thanks for what brought and binds us together forever….

coz last  couple o’ nites were like heaven on earth…. where infinite possibilities (re)presented themselves with beautiful, loving folks coming together to cook en break bread [pan-afrikan style], fundraise, play, reason en share many resources….real tox: these are the hadithi of the q_t werd, the blessings en powah of  positive(ly)  productive collectives, everyday…

like yesterday, I heard bout the story of na nga def en of revolushunary collectives in the diaspora embracing back to Afrika movements, yet another [trailer of a] doc that changed my life forever, four women (en then some) struck deep, their werds walking with me since

When we organise we find strength then in (you know) supporting each other, in being able to project our voices collectively [talent jumo]…

you’d have to get people to unite, take my country for instance… I wouldn’t advise that people must now start fighting, but it took war for us in order to get freedom, and people of colour in Brazil need to unite and stand for one thing [sega khutlapyo]…

it’s about creating positive energy and positive vibes around us [angel wainaina]….

i personally would want to help in that fight [yaganoma baatoulkuu]…..

Pamoja tulifika on Saturday….. en Sunday night was a reminder of how far we’ve come, how far we have to go still in building solidarity amongst our communities, en how much we have to be grateful for with the loving, growing revolushunary villages being rebuilt in the heart of urban centres in de’ diaspora en on the continent en….I pray that we continue to change the destructive paths we’ve been on, en fulfill our destinies

Truthis…our love (and growth stories) is at the crux of coming together…..sharing fantasies en food, fundraising, storytelling, celebrating, playing en praying together…..filling our hearts with the divine energy of the kinda people that we want to rebuild our homes with…

Real tox is… these quests we’re documenting, are (not only) our own and of people we know,

in dis space, now….we’re still getting to the crux of where we wanna be, in another place not here…

and there’s always the matter of how much villages should know about who exactly is coming, when the child hasn’t even arrived or chosen to stay in dis world yet…..

The riddle of the sphinx (in the q_t werd) is in the connecshun between nneka en nneke dumela. Where did nneka en nneke meet? In what different world(s)?

Real tox is….. there’s only so many stories we can share ‘about’ the q_t werd before we’ve finished production, only so much we can tell you about nneke before the biomythical monologue for the play is even finished, or bout nneka before we’ve even shot the interview, so we’ll tell you about the mid-wives first, from long long ago hadi leo, until next year….

In other werds, because there are so many of our true true stories to share, because the world is bigger than 5, 7 or 9 bredrin en dadas, we’re going to continue sharing hadithi about s/heroes, teachers and legends we love

Continue breaking down the complex of fear generated around being betwixt en between binaries and identities, playing with masks and [ideologies of] time and space, kama akina dada wa Afrika halisi

http://www.blacklooks.org/2010/10/feminist-africa-how-africom-contributes-to-militarisation-in-africa

Truthis, because we’ve shared so many of our fears before, the trust that’s been building, the safe spaces we’ve maintained, the metamorphosis we’ve witnessed and the love we’ve shared with each other en our loved ones have cushioned our rebirthing and transformed the pain

……….It was love in the first place, must admit, you blew me away, all the music…..inside of me,

got me feeling, some kinda madness…it was love…….

A woman speaks

Bout turning pages, making changes and showing (big) love….

Hadithi? Hadithi?

Nipe mji?

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The q_t werd : has evolved into dis’ present incarnation from its seeding, in Tdot en Vancouver,

five years ago…

[en in the spaces between, from before, long long long ago, there were 9(+1) dadas na baba na mama

Hadithi? Hadithi? Hadithi njoo…..Sahani? ya…….Giza? ya……..]

Dis’ doc (in the works of becoming a series) is the love child of revolushunary villages

(rebuilding en dialoguing) in Hamilton, Tdot, Nairobi, Joburg & Kampala.

Dis’ is our nekkyd truth, a.k.a  real talks, about these visions we have on our quest of re-educating not only ourselves, but others, in the practice of freedom n’ liberation: where every moon is afrikan hirstory month, every day i(nvolve)s building solidarity within our diversity n peacemaking

[In the spaces between: we develop as a collective with all the means we have, our biomythdramas, inspired by the artists who’ve studied and performed (with the core principles being developed by d’bi young of) anitafrika! dub theatre, nourished by our ancestral memories, nurtured with the legacies of indigenUS en pan-afrikan warriors]

Dis’ is us, no apologies or excuses, jus’ as is, on a journey of  healing(selves) en re/claiming our destinies.

Hadithi? Hadithi?

Hadithi njoo…

So like we’ve blogged  en said before, dis’ documentary/series is a work in progress: like we have a summer’s worth of footage,  yet we’re still developing the storyboard, still deciding (the rest of) our core characters from the 32 (and then some) stories we collected, still trying to get another camera, laptop and editing software, funding, jus’ to start….the bigger point is we hustling to manifest our dreams of a video project and (going) back-to afrika movement/s

[Youtube=http://www.youtube.com/watch?v=ke67lHxPf8A&feature=related]

So far we’ve got our ABCDE/Fn’G’s (H! ….to P will debut in November )

a is for afrika [is for anitafrika dub theatre! is for amai kuda is for audrey mbugua…..]

is the crux of dis’ here doc

En b is for black august [is for blockorama en blockobana is for bredrin en dadas in solidarity]

Are (some of) the visions of our quest

C is for colour spill productions  [is for cee swagger is for cea walker is for chan mubanga]

Some of the real/live legends of this doc

D is for Dini Ya Msambwa: our ancestral memories

En E is for (the spaces between) Elijah Masinde and Elijah Wilson

That’s wussup.

Hadithi? Hadithi? Hadithi njoo…..Sahani? ya……Giza? ya……

Kesho (kutwa) on the Q/t werd, F n’ G en people we’re learning from, who’re educating others in the practice of freedom and reclaiming indigenous afrikan knowledge systems.

[B is for bredrin en dadas in solidarity: our (vision) quest is to implement queer/trans youth arts collective/programs & circles for healing and self recovery in East & South Afrika in collaboration with anitafrika! dub theatre: an intersection of radical creativity, activity, and thought, human positive and moyo wa afrika: a coalition of Afrikans on the continent and in the diaspora who are committed to the reclamation of Indigenous Afrikan spiritualities, knowledge systems, economic praxis, and resources as the only viable means of addressing the colonially-induced dis-ease and dysfunction plaguing our peoples….

Lakini kwanza….]

A is for anitafrika! dub theatre: founded by artistic director d’bi.young in spring 2008 under the mentorship of visionary dub artist ahdri zhina mandiela, adt is a radical arts initiative rooted in the orplusi principles of storytelling, being developed by d’bi.young.

The 7 living/en/working principles are 

language, orality,

political context (or protext),

rhythm, urgency, sacredness, and integrity:

fundamental tools in the (re)emerging genre of bio-myth-solo-performance storytelling or ‘dubbin solo’,

according to artistic director d’bi.young.

[en between the lines: the Q_t werd is a documentary series/work in progress, charting the evolution of these principles  en reclaiming ancestral legacies……]

Through the intersection of these principles, the theatre seeks to explore and expand the relationship between the storyteller, their village(s), and transformation.

herstory

adt! is inspired by the seminal work of dubpoetry visionaries anita stewart and ahdri zhina mandiela. trained during the early to mid eighties at the jamaica school of drama (now the edna manley college of visual and performing arts), anita stewart wrote her thesis dubbin theatre: dub poetry as a theatre form on the progressive movement of dubpoetry into a theatrical realm which radically dramatized both the socio-economic tribulations of the jamaican people, as well as their potential for rebellion against their oppressors.

in her unpublished manuscript stewart identifies four major elements of the then emerging artform of dubpoetry — music, language, politics and performance — as bridges between the personal and the political and vice versa. stewart’s early documentation and analysis of dubpoetry as a working people’s socio-political movement, provide the primary lens through which adt! focuses.

in the late eighties early nineties, ahdri zhina mandiela coined and further developed the term dub theatre in reference to her own evolving work as a dub aatist. in the prelude to her dark diaspora… in dub: a dub theatre piece she defines dubtheatre as dramatized stage presentation comprised of varying performance component, including an indispensable/uniquely tailored dance language threading thru oral/choral work proliferating with endemic musical elements.

d’bi.young is a second generation dubpoet who learnt the artform from her her mother anita stewart and her mentor ahdri zhina mandiela. young is building on the foundational work of stewart and mandiela by developing dubpoetry/dubtheatre theory and practice through anitafrika! dub theatre: a launch pad of artistic training that locates itself within art for social change.

En A is for the legacies of audre lorde, that’s wassup!

Dream/songs from the moon of Beulah land I-V

I

How much love can I pour into you I said

Before it runs out of you

Like undigested spinach

Or shall i stuff you

Like a ritual goose

With whatever you think

You want of me

And for whose killing

Shall I grow you up

To leave me

To mourn

In the broken potsherds

Upon my doorstep

In silent tears of the empty morning?

But I’m not going anywhere you said

Why is there always

Another question

Beyond the last question

Answered

Out of your mouth

Another storm?

It’s happening

I said

II

Whenever I look for you the wind

Howls with danger

Beware the tree arms scream

What you are seeking

Will find you

In the night

In the fist of your dreaming

And in my mouth

The words became sabers

Cutting my boundaries

To ribbons

Of merciless light

IV.

You say I yam

Sound as a drum

But that’s very hard to be

As you covers your ears with academic parchment

Be careful

You might rip the cover

With your sharp nails

And then I will not sound at all.

To put us another way

What I come wrapped in

Should be familiar to you

As hate is

What I come wrapped in

Is close to you

As love is

Close

To death

Or your lying tongue

Surveying the countries of our mouths.

If I were drum

You would beat me

Listening for the echo

Of your own touch

Not seeking

The voice of the spirit

Inside the drum

Only the spreading out shape

Of your own hand on my skin

Cover.

If I ever really sounded

I would rupture your eardrums

Or your heart.

V.

Learning to say goodbye

Is finding a new tomorrow

On some cooler planet

Barren and unfamiliar

And guiltless.

It costs the journey

To learn

Letting go

Of the burn-out rockets

To learn  how

To light up space

With the quick fiya of refusal

Then drift gently down

To the dead surface of the moon.

Kesho……The (A, B, en C’s Of the) Q_t werd in dub video

Press Release

 ( aka. the truth about our stories: revisited)

The q/t werd is our [epic of a] quest for unity within our diversity.

A mystic, organic, us/folk driven caravan of  real talks with (en legends of) people we love, respekt and admire, and need to get to know betta .

The series examines the fragmentation and intersections of our diversity and charts the growth of our communities through interviews with a diverse bunch of POC, and topical themes from identity politics, community accountability, using the arts for revolushunary change to ethics and guides in dating and non-monogamous relationships and survivor accounts

It uh go (go) something like

 vlog(s)

#1 a is for (mama) afrika

#2 b is for bredrin en dadas in solidarity

#3 c is for colour spill productions

http://soundcitizen.com/interview-nneka-nigerias-new-messenger/

#4  d is for (the spaces between) dini ya msambwa (lukemi en santeria)

#5  e is for (the link between) Elijah Masinde (and Elijah Wilson)

lakini leo ni leo ni monday is for medusa, the official opening of the word! sound! powah! (graduation) fest of the artists in residence at anitAFrika dub theatre……the fiya, wota, earth en air this time, in this place here (aka. tdot), is blessed

En so (mpaka) kesho, it only makes sense that we shud tell you mo’ about the art of nneka en nneke, in the Q/T werd, au siyo?

hadithi? hadithi? hadithi njoo…..

 I give thanks for yesterday, today and tomorrow. Give thanks for having witnessed and shared in the production of the peace (camp) is possible matinee, workshops and parade. I give thanks for new friends, playing and sharing with the pikney, bredrin and sistren of seeds of hope. Bless them and their families.

I give thanks for the blessings of yesterday, carrying into today, and I pray for them to manifest tomorrow. give thanks for all the love and prayers shared. Bless those who share their energy, labour, pray(er) en love with me, and their families.

I pay homage to the spirit of our ancestors. I pay homage to the orishas. I pay homage to the spirit of cool wota. I pay homage to the good fortune of peace, the good fortune of a stable home, the good fortune of wisdom, the good fortune of calmness.

Thank you for the Blessings of wota. Ifa, I pray that you bless all our living relatives. Those that crawl, swim and fly.

Bless our granmama earth. Ase. Ase…..

hadithi? Hadithi?

Nipe mji?

 Nilienda Addis….Dar-es-salaam, kampala, kiambu, Kigali,kimilili, malindi, Mogadishu, Nairobi na Webuye.

 n(IT)arudi nyumbani karibuni, (lakini) sasa hivi, this space here is the best home I could have, in the heart of tdot, na katika moyo wa Afrika, rebuilding revolushunary villages, waging peace, speaking truth to power and(re)educating not only ourselves, but others, in the practise of freedom.

The peace camp and peace is possible workshops may be officially done, but the work of cultivating our experiences and preparing for the future is on to the next level. We have faith that we will continue to build deeper relationships with our neighbours and friends, and share our resources and spaces more with those who need them.

dear toronto,

If this open letter to tdot is to stay true to its mission, it has to start with (re)acknowledging where we’re at, on turtle island & where we coming from, mama afrika. It’s also only natural that in speaking truth to power, we share that we are in our final stage/week of developing & organising for

  1. The Spaces Between [produced by the Peace camp],
  2. Peace is Possible Parade &
  3. summer workshops at Crescent Town Public School  with Full Circle, Regent Park Camp, Balmy Beach, Learning for Life, Seeds of Hope…..

The ‘official’ werd on the ground is

The Children’s Peace Theatre of Toronto will be holding its 10th annual Summer Peace Camp from July 5-24, 2010. Under the direction of Liz Pounsett and musical direction by award-winning jazz artist Brownman with the artistic direction of Karen Emerson.

A group of 60 children and youth will work alongside professional artists to create a theatrical collaboration called ‘The Space Between’.

This is bound to be the most provocative of Peace Camp productions as the children explore faith and reason and how these concepts affect our lives personally and globally. It confronts head on the issues associate with the interplay of faith and reason with the level of honesty, humor and energy only children and youth can impart. The Space Between is sure to be visually stunning, thought provoking and full of surprises].

http://www.peacetheatre.org/

We’re inviting Tdot, all our friends and visitors, to come with their pikney and friends, join us on Friday July 23rd and Saturday July July 24th in the PIP Parade and the gala performance of the Space Between.

So ofcourse we should first tell you the story about the source of this peace theatre.

Hapo (si) zamani (sana) ya kale

In 2000, the Hannon-Shields Centre for Leadership and Peace reclaimed parts of the Massey Goulding Estate and under the ‘official’ leadership of Robert Morgan, launched the Children’s Peace Theatre (PT)

As Robert has said: “We place children and youth centre stage, not because they are cute or candid, but because they display humanity’s capacity to evolve, even in the harsh conditions of the current times. Young people are demonstrating an instinctive desire to move away from the dominant culture of self-interestedness and aggression, and are moving instead towards building relationships and community due to an innate desire to seek stability, safety, and peace.

It is also evident that young people have the imagination and the energy that will be necessary to establish a new culture of peace. Watching young people from very different backgrounds cross paths, encounter conflict, and find creative ways of making the conflict evolve in positive directions, gives me the audacity to believe that peace is possible.”

http://books.google.ca/books?id=hfBaL4-ei2AC&lpg=PP1&ots=wjbLnY-b6-&dq=once%20upon%20a%20time%20there%20was%20a%20little%20girl%20healing%20power%20of%20fairy%20tales&pg=PA7#v=onepage&q&f=false

[10 years later, the ‘un-official’ werd on the ground on the opening ceremony  is: join us in a prayer circle on Friday July 23rd @ at 7:00am , in the heart of the peace forest.

The ‘official’ plan of the day is the Peace is Possible parade @ 11:00am, and the 2nd matinee of the spaces between which will begin @ 1.00pm, in the outdoor amphitheatre of the Peace Theatre @ 305 Dawes Road.]

[this subjective perspective on the process of manifesting justice, truth, reconciliation en peacemaking; is after many moons of ‘unofficially’ re/claiming the grounds of the peace forest,  since I came back from ‘home’ [aka. in another place, not here…], en in the years before, with osain as my colleague, en his home as my office. Close to eshu, obatala, ogun, oshun, oya en all the orishas.

I am deeply grateful for now ‘officially’ being part of that divine, growing team that is blessed, honoured and privileged to work here, [job soon dun, but it’s a contract with possible extensions of renewal nonetheless, and all the fertile spaces between metarmophoses, healing rituals & building solidarity with people of all faiths, all nations, with one prayer.

I give thanks for the artists, caregivers, comrades, elders en youth, peer educators, healers and peace makers, friends of PT, who contribute their energy, talent & time to rebuilding our communities, with our children, using arts for revolushunary social & spiritual change, sharing our healing stories with the 3c’s of PT]

I pray for health and prosperity, not only for myself but for others. I pray for humbleness, for myself and others. Please forgive my sins, those that I know about, and those that I don’t know about, those I am yet to commit, and those of others. Inspire those without hope, and strengthen those without faith. I give thanks for the cool wotas, the sun, moon, and stars, for the birds, and our trees. Bless all our living relatives.Onikpite]

I give thanks for our continued re/learning of faith in the true (true) ways of the ‘natives’ of port credit Mississauga, for our deepening connecuns with egun,

Bless taylor creek park en all our neighbours en visitors. Bless the ancestors betwixt en between, all around  crescent town, goodwood, thorncliffe, dentonia park, jane&finch, parkdale, regent park, in all our enclaves, trees, en living relatives, in these diverse hoods.

PIP song

I give thanks for the burning, metamorphoses en (for) the spaces between spreading big love en positivity in our communities.  I give thanks that the fiya this time feels like ‘the revolushun’ is with our breaking bread, making arts en crafts, playing, praying, reasoning and replenishing not only ourselves, but with our families and friends, en ‘others’.

Bless the motherless and fatherless, those sick in hospital. Bless the homeless, and those who ignore them. Ifa,  I pray that you continue to guide us in coming to our right/full destinites. I pray that the circle may be unbroken. Bless our wotas en granmama earth. Ase. Ase….

[blogger’s notes: It’s, only officially, been less than a moon that I’ve been working on programs at the peace theatre, there’s still many pieces of the past that I’m not familiar with, but I give thanks that this place, in another space, not home, is exactly where I need to be,….naushukuru that the blessings of yesterday, manifested today en I pray for them to carry forward to tomorrow…..

85 days 16[+72]hours 25 minutes – the caps finally contained the oil spill, and we are bound to pray for our continued healing en self recovery, to learn from our mis-steps, and continue changing the destructive path we’ve been on.

http://en.wikipedia.org/wiki/Taylor-Massey_Creek

Taylor-Massey Creek is 16 kilometres long. Its headwaters are near Sheppard and Victoria Park Avenues. It flowed diagonally through Wishing Well Park and under Highway 401 at Pharmacy Avenue. The original headwaters were diverted to Highland Creek when the highway was widened to 12 lanes, so the creek now starts at a stormwater outfall just south of the highway.

The creek starts in Terraview Willowfield Park, a restoration project, named after a nearby public school. It flows through two medium sized ponds with naturalized channels. From there it flows southeast through a series of concrete lined channels and drains. This section runs along an abandoned hydro right-of-way before entering a residential and industrial section that is closed to public access.

South of Eglinton Avenue East it enters a shallow ravine and flows south passing through Pine Hills Cemetery. It exits the cemetery travelling west and enters a small park on St. Clair Avenue East. At Warden Avenue it turns southwest, moving through a park called Warden Woods. West of Pharmacy Avenue it enters a city run golf course. At Victoria Park Avenue it enters Taylor Creek Park and continues uninterrupted to where it empties into the Don River East Branch, just north of the forks of the Don.