I give thanks for (the days before) yesterday, today and tomorrow…still riding off the energy of (more than) thousands of womben uniting to take to the streets in demonstration for wise womban traditions. I am grateful for all the sacred spaces I`ve been guided to n communed with others n for all the positive transformations of di season.

I pray that the blessings of yesterday carry into tomorrow, en as I contemplate the reality of Rob Ford as mayor in the city (not only) I have grown to cherish and love so much, I pray for guidance and healing not only for myself but others, that we may continue to change the destructive paths we`ve been on, grow more humble, loving and strong, as we come into our right destinies. I pray that we overstand the lessons from our teacher (guide)s……ase. ase. Ase……

Real tox: the q_t werd IS in the spaces between our bio(mytho)graphical (vision) quests and ancestral memories. an epic litany of our survival, and the secrets to our thriving. the riddle of the sphinx is in how all a dis’ resources being shared in so many parts of different villages….(en how) pamoja tutafika!

real tox: the q_t werd is bout all dis’ communing with other (not-so) fresh off the boat(er)s,

New Afrikans,

Urban griots, in di diaspora

Elders, en our guides [in the q_t werd]

Hadithi? Hadithi?

Hadithi njoo…..

Giza ya?

Sahani ya?

……

Last night was one of those unexpectedly beautiful ones, where I reasoned, ate, danced and reconnected with mo people that I love, respekt and admire so, that not only I need to get to know much betta, [http://www.apaa.ca/]

yesterday was betta than I expected, breaking bread and praying with growing families. I am grateful for working, living, and communing in such human positive spaces. I give thanks for the mentors, healers, peacemakers, farmers, cooks, families and friends gathering to re/build healthy, loving sustainable communities

[real tox: between the lines/ hadithi kama/riddle of the sphinx /a spiral/ healing/litany of survival/ haiku/]

http://www.blacklooks.org/2010/10/the-mask-hides-nothing



weeks been manifesting in sync with the autumn season: full of metamorphosis, deep lessons, storyboarding en mobilising resources for (hibernation en) mo’ arts/educashun en community work

[real tox: we’re, in the spaces between, writing biomythdramas, shooting interviews with POCstars, revising the storyboard of the feature length documentary (from 32 stories to 9ish core characters ), organising fundraisers for a queer/trans youth arts collective to be implemented in May 2011 in East Afrika….big tings a gwaan en the fiya this time is divine]

the drama of the q_t werd is  (un)expected, deep/rooted in pan/afrikan tapestries, familiar/yet masked/with many faces/many acknowledge truthis/ over-rated yet

the stories we’re retelling in dub are the real tox we been having, and the real struggles we been facing in building solidarity among our communities/revolushunary village style

The folks in the  q_t werd are the tapestry of our quest to reclaim our ancestral memories en resituate global voices: afrikan/ queer/ trans/people of colour/ middle class/ poor/ en working class/youth/diversely-abled/artists/healers/farmers/mamas/babas/bredrin en dadas in solidarity/people we know……

you don’t need a weatherwomban to know which way the wind blows…the fiya en wota  dis’ time, on dis here earth of ours, is divine….

hadithi? Hadithi?

Hadithi njoo.

Giza ya?………Sahani ya?……..Nipe mji……..

Notes On creativity, compassion and courage:

  1. Creativity: recently, many mo friends have been questioning and sharing with us, [the storytellers behind The Q/t werd and Nekkyd,] what they think our art is about; we have heard en documented many ideas on the ways to build solidarity among QPOC communities, from a pan-afrikan perspective, yet we haven’t ‘officially’ fleshed out where we coming from and headed yet with this epic of a feature length documentary and series.

reality is, our visions (in dis here epic of a quest) have undergone deep transformashun: in the last 3 year(s) we have crossed different worlds and not only survived, crashed en burned, revived en thrived, but metamorphosed into the kipepeo of our wild dreams. our experiences of rebuilding villages are not what we expected them to be, they have surpassed our wildest fantasies en remind us of heaven on earth; now, alhamdulilah(t) we are grateful for the growing, loving communities, for all the healing and prayers in sacred spaces

in dis’ place here, in the diaspora, we found the source of Mama Afrika again, in her people.  In our ancestral legacies en mestizoed religions,  speaking black into (our +ve) blood.memories, breaking ugali with bredrin en dadas in prayer en solidarity.

the q_t werd is personal, political en religious:

personal like what you get when a documentary filmmaker/storyteller gets married to other artist/dadas, en where dem and their village produce a (dark) comedy series on lesbian, queer & trans (pan/afrikan) communities & a feature documentary on their ‘personal’ efforts to mobilise resources for queer/trans communities in East Afrika by designing the curriculum and fundraising for a queer/trans youth arts collective (QTYAC) in Kenya & Uganda. [that’s wassup]

the political is, we are far from where we started: individually and collectively, even though we’re back to the storyboard stages again, we’re still in the spaces between (post) production en grant writing.

Our hadithi remains the same, we are still on this (vision) quest to continue (coming into) fulfilling our (right) destinies, still creatively funding our activism, art and village building through strategically chosen jobs and “fly-by-night” ventures.

The bigger point is that, the religious piece is the big(ga) hadithi, our nekkyd truth is the crux of our salvation and healing wise is,  us dreaming of (going) back home with all our first world privileges, friends and families.

2. Compassion: Over a moon ago, we received the best advice we ever got from a wise afrikan womban’s reading of our quest/ion/s. We were reminded that love and truthfulness would have to determine our way of expressing ourselves and that we jus HAD (no choice but) to lovingly and sincerely communicate our thoughts to those around us.

the truth is, we don’t have any ‘official’ funding for our (art) work, and yet we have still been audacious (and over ambitious) enough to work on submitting, not only, a documentary to the Inside Out & Mpenzi before the end of this year, but designing the curriculum and mobilising (people)  resources for QTYAC, to be run in Kenya & Uganda from May – August 2011.

Technically, the ‘boring’ or exciting stuff (depending on where you look at it from), that there are nuff people interested in getting move involved with/in our communities back at home, we’re trying because we CAN and if we don’t then folks who don’t know betta than us will prolly try to help us OUT  for themselves, we’re doing all a dis’ organising  because there’s sayings that go like we have mo to work with, in dis place here in the FIRST  world,  to serve our communities betta;

3. Courage: a love story

Skeleton woman

– A Tale of the Inuit –

She had done something of which her father disapproved, although no one any longer remembered what it was. But her father had dragged her to the cliffs and thrown her over and into the sea. There, the fish ate her flesh away and plucked out her eyes. As she lay under the sea, her skeleton turned over and over in the currents.

One day a fisherman came fishing, well, in truth many came to this bay once. But this fisherman had drifted far from his home place and did not know that the local fisherman stayed away, saying this inlet was haunted.

The fisherman’s hook drifted down through the water, and caught of all places, in the bones of Skeleton Woman’s rib cage. The fisherman thought, “Oh, now I’ve really got a big one! Now I really have one!” In his mind he was thinking of how many people this great fish would feed, how long it would last, how long he might be free from the chore of hunting. And as he struggled with this great weight on the end of the hook, the sea was stirred to a thrashing froth, and his kayak bucked and shook, for she who was beneath struggled to disentangle herself. And the more she struggled, the more she tangled in the line. No matter what she did, she was inexorably dragged upward, tugged up by the bones of her own ribs.

The hunter had turned to scoop up his net, so he did not see her bald head rise above the waves, he did not see the little coral creatures glinting in the orbs of her skull, he did not see the crustaceans on her old ivory teeth. When he turned back with his net, her entire body, such as it was, had come to the surface and was hanging from the tip of his kayak by her long front teeth.

Agh!” cried the man, and his heart fell into his knees, his eyes hid in terror on the back of his head, and his ears blazed bright red. “Agh!” he screamed, and knocked her off the prow with his oar and began paddling like a demon toward shoreline. And not realizing she was tangled in his line, he was frightened all the more for she appeared to stand upon her toes while chasing him all the way to shore. No matter which way he zigged his kayak, she stayed right behind, and her breath rolled over the water in clouds of steam, and her arms flailed out as though to snatch him down into the depths.

Agh!” he wailed as he ran aground. In one leap he was out of his kayak, clutching his fishing stick and running, and the coral white corpse of skeleton woman, still snagged in the fishing line, bumpety-bumped behind right after him. Over the rocks he ran, and she followed. Over the frozen tundra he ran, and she kept right up. Over the meat laid out to dry he ran, cracking it to pieces as his mukluks bore down.

Throughout it all she kept right up, in fact, she grabbed some of the frozen fish as she was dragged behind. This she began to eat, for she had not gorged in a long, long time. Finally, the man reached his snowhouse and dove right into the tunnel and on hands and knees scrabbled his way into the interior. Panting and sobbing he lay there in the dark, his heart a drum, a mighty drum. Safe at last, oh so safe, yes, safe thank the Gods, Raven, yes, thank Raven, yes, and all bountiful Sedna, safe… at…last.

Imagine when he lit his whale oil lamp, there she – it – lay in a tumble upon his snow floor, one heel over her shoulder, one knee inside her rib cage, one foot over her elbow. He could not say later what it was, perhaps the firelight softened her features, or the fact that he was a lonely man… but a feeling of some kindness came into his breathing, and slowly he reached out his grimy hands and using words softly like a mother to child, began to untangle her from the fishing line.

Oh, na, na, na.” First he untangled the toes, then the ankles. “Oh, na, na, na.” On and on he worked into the night, until dressing her in furs to keep her warm, Skeleton Woman’s bones were all in the order a human’s should be.

He felt into his leather cuffs for his flint and used some of his hair to light a little more fire. He gazed at her from time to time as he oiled the precious wood of his fishing stick and rewound the gut line. And she in the furs uttered not a word – she did not dare – lest this hunter take her out and throw her down to the rocks and break her bones to pieces utterly.

The man became drowsy, slid under his sleeping skins, and soon was dreaming. And sometimes as humans sleep, you know, a tear escapes from the dreamer’s eye; we never know what sort of dream causes this, but we know it is either a dream of sadness or longing. And this is what happened to the man.

Skeleton Woman saw the tear glisten in the firelight and she became suddenly soooo thirsty. She tinkled and clanked and crawled over to the sleeping man and put her mouth to his tear. The single tear was like a river and she drank and drank and drank until her many-years-long thirst was slaked.

While lying beside him, she reached inside the sleeping man and took out his heart, the mighty drum. She sat up and banged on both sides of it: Bom Bomm!…..Bom Bomm!

As she drummed, she began to sing out “Flesh, flesh, flesh! Flesh, Flesh, Flesh!” And the more she sang, the more her body filled out with flesh. She sang for hair and good eyes and nice fat hands. She sang the divide between her legs, and breasts long enough to wrap for warmth, and all the things a woman needs.

And when she was all done, she also sang the sleeping man’s clothes off and crept into his bed with him, skin against skin. She returned the great drum, his heart, to his body, and that is how they awakened, wrapped one around the other, tangled from their night, in another way now, a good and lasting way.

The people who cannot remember how she came to her first ill fortune say she and the fisherman went away and were consistently well fed by the creatures she had known in her life under water. The people say that it is true and that is all they know.

[from women who run with the wolves: myths and stories of the wild woman archetype]

http://www.blacklooks.org/2010/08/james-baldwin-precious-lord-take-my-hand/

Betwixt en between the lines are our true (true) stories, retold in (a video diary of) the ‘Q[/t]’ werd….

http://www.guardian.co.uk/football/2010/may/22/football-south-africa-world-cup

we’ve said it before, in other places, and [most  symbolically] here….

[Youtube=http://www.youtube.com/watch?v=Dr3uvUU4roc&feature=related]

we’re doing the best we can with what we got to entertain, and re-educate not only ourselves but others, in the practice of freedom.

http://www.cbc.ca/canada/british-columbia/story/2010/06/16/mb-truth-reconciliation-event-winnipeg.html

 

http://archives.cbc.ca/society/education/topics/692/

(re)building coalitions

 and (re)building solidarity with our people…

hadithi? hadithi?

nipe mji…….

 

 

[re/posted]scribbles from the den

When the idea was first hatched to put forward South Africa’s candidacy for the 2010 World Cup, it seemed a far-fetched dream. And when FIFA actually awarded the tournament to South Africa, it was, in the view of many, a gamble destined to fail. However, after six years of turmoil, controversy and acrimony later, South Africa is finally set for the 2010 World Cup tournament.

For the next month, (legitimate) concerns about the financial toll of the tournament on South Africa’s economy, the absence of concrete benefits for large swathes of the South African population, or about FIFA’s stifling rules will be put on the backburner as the world enjoys the beautiful game.

Dori Moreno

Dori Moreno is one of those unapologetically afflicted by ‘World Cup Fever’:

I have been waiting for the World Cup to arrive ever since the announcement was made that it would be hosted in South Africa. It’s difficult to get excited about something happening so far into the future. But now, the World Cup is upon us, and in just 2 more sleeps, South Africa will face Mexico in the kick off game of the 2010 World Cup. And South Africa has woken up and is alive with energy, passion and enthusiasm.

 ‘Today, the Bafana Bafana team took to the streets of Sandton, Johannesburg in an open top bus. South African fans came out en masse to celebrate and get a glimpse of their national team. The vibe was indescribable and when the Soweto Marimba Youth League played the national anthem, I confess to being moved to tears from the sheer emotion and energy of the event.


‘I think even the die-hard pessimists out there will struggle not to get caught up in the positive energy that will carry us all on a cloud for the next month. To everyone out there, I say, ENJOY! To all the visitors to our awesome country, feel it, live it and fall in love. It’s time for AFRICA!!!!’

Jeanette Verster’s Photography

And talking about the June 9 ‘United We Stand for Bafana Bafana’ parade organised in Sandton to encourage South Africans to show their support for their national team, Jeanette Verster publishes a colorful picture essay that vividly captures the national excitement.

Brand South Africa Blog

Brand South Africa Blog hopes that the unity and patriotism demonstrated in the run-up to the World Cup will last long after the tournament:

‘The past few months have been an incredible sight. Road works, bridges being built and the most spectacular, the giant eye which watches over all of us from the entrance to the V&A Waterfront. To say I feel proud would really be an understatement, although true. Undeniably through all of this is the tangible feeling of patriotism, excitement and unified spirit in the air.

‘Flags, Zakumi’s (official World Cup mascot), soccer jerseys everywhere makes me feel that we can unite as a country, evident in the progress made.

‘*** I love SA ***

‘The feeling I hope for South Africa is that we stay this way long past the end game is played. Everyone is watching and can see that through working together and progress, we can be pushed into another league and be part of a set of countries people all of the world would like to visit sometime in their life.

‘So, Bafana, we are behind you 150%, make us proud and do your best.

‘Visitors to South Africa, our country is beautiful, take the opportunity to visit places off the beaten track you’ll be pleasantly surprised and p.s. don’t forget to shop!’

Constitutionally Speaking

Even as the excitement builds up, there is anger just beneath the surface over a number of (FIFA-inspired?) decisions which do not benefit South Africans. One such issue is the apparent blanket ban on public gatherings in many municipalities for the duration of the World Cup. Constitutionally Speaking argues that:



‘If this is true, it would mean that parts of South Africa are now effectively functioning under a state of emergency in which the right to freedom of assembly and protest have been suspended. This would be both illegal and unconstitutional. Other reports have suggested that such orders were indeed given, but that the police are now backtracking – probably because the police have realised that they are breaking the law and that the order, in fact, constitutes a grave breach of the law and the Constitution.

‘It is a sad day indeed when the police itself become a threat to our democracy and our rights because Fifa and the government want us all to behave and shut up for the next month and to forget about our democratic rights.’

Scribbles from the Den (and betwixt en between the lines: a video diary of the ‘Q[/t]’ werd)

Scribbles from the Den takes us back 20 years to a memorable World Cup game which is now part of the football folklore and which credited to have changed the World Football Order in favor of African countries:

‘Exactly 20 years ago on June 8, 1990 at the Giuseppe Maezza Stadium in Milan, Italy, the Indomitable Lions of Cameroon, “a humble team with an insignificant past” to quote the Miami Herald, defeated Argentina, the star-studded defending World Champions led by Diego Armando Maradona, in a thrilling Italia ’90 World Cup opening game that came to be known as the “Miracle of Milan”…



‘The victory over Argentina was merely the beginning of Cameroon’s Cinderella story which came to an end only after England ousted the Lions in an epic quarterfinal game that is also part of World Cup folklore. Cameroon’s brilliant run in Italia ’90 in general, and its historic win over Argentina in particular reverberated around the world and changed the Football World Order forever…

‘The aftershocks from that memorable Friday afternoon at the Giuseppe Maezza Stadium would be felt years later first with FIFA increasing the number of African teams taking part in the World Cup from two to five, then with the “browning” of European leagues which opened their doors to players from the continent and in the process unearthed African football prodigies such as “King” George Weah of Liberia, Same Eto’o of Cameroon and Didier Drogba of Cote d’Ivoire.’

Up Station Mountain Club

As the football fiesta goes on in South Africa, Charles Taku, a lead counsel at the United Nations International Criminal Tribunal for Rwanda in Arusha, Tanzania, wonders whether Africa has any reason to celebrate as many states turn 50:

‘Africa is sick; very sick indeed. It is safe to state that at 50, there is nothing to celebrate. Rather than celebrate, Africa should be engaged in a moment of soul searching to find out where we went wrong and to generate ideas about how to resolve the myriad problems afflicting the continent…



‘There is no gainsaying that Africa is a victim of its colonial heritage. It is also true that many African problems are self inflicted. For that reason, according to Peter Schwab, Africa is its own worst enemy.

‘As Africa enters the second half of the century, there is a compelling need for it to eschew all pretensions to celebration and to use the opportunity of the moment to search for viable solutions to its plethora of problems. Our collective failure enjoins us to do a lot of soul searching at this point of our history rather than celebrate a failed past in anticipation of a bleaker future. Africa and the black race in general need to take their destiny into their own hands once again. Time has come for all black people of this world to invoke the spirits of Marcus Garvey, George Padmore, CLR James, the Osagyefo Mwalimu and others whose mere mention of name give us the inspiration, courage and hope to start all over again, in seeking a path of glory they once laid out for us.

The time to build and improve on what they started for our collective survival in a mercilessly competitive world is now. Waiting for dictators that preside over the destiny of most of the continent at present to pave that path to glory is simply foolhardy, if not suicidal.”



Kumekucha

Kumekucha explains how he believes the ruling elite plan to rig the August Referendum for the proposed new Kenyan Constitution:

‘Folks I am afraid that I have more bad news for you concerning the new constitution most of us are yearning for. Let me start by confessing that for a person with my years of experience I was rather naïve to believe that those who own Kenya would ever allow for an electoral system that they did not have any control over. The truth is that the so called “tamper-proof” electoral roll has already been tampered with and non-existent voters introduced. And since it is NOT the same electoral roll that we will go to the general elections with, the only conclusion is that the intention is to rig the August 4th Referendum.

‘The game plan by the powerful owners of Kenya is for the NO camp to catch up with the YES majority so that the difference is around 20% or less. What will then happen is that NO will win with a very slim majority. Enough to deny most Kenyans what they are yearning for so much that they can no longer sleep too well. Those wh o have read the document and realize the sweeping changes it will bring into the country and the deadly blow it will deal to impunity.

‘What really scares me is that so far these powerful forces have been able to get things done through the NSIS and have even influenced the judiciary to make certain bizarre rulings. To me that is evidence enough that they are quite capable of going ahead with their well laid plan even as the president tires himself crisscrossing the country campaigning for a new constitution.’


BROUGHT TO YOU BY PAMBAZUKA NEWS

* Dibussi Tande blogs at Scribbles from the Den.

 

Dis’ werd on the ground: [is] doing the best we can to provide (revolutionary) pan-afrikan media coverage of the world cup.

So we celebrate Ghana’s Black stars victory not jus’ over Serbia, but in the struggle for afrikan liberation, manifest/ing in the past moons en years (en long ago), symbolised [most significantly for dis’ series on the q/t werd] in other historic events

[such as:- A.L (Afrikan Liberation) D-ay]

http://www.voiceofafricaradio.com/news/351-the-history-of-african-liberation-day.html

So, it’s only fitting that, in honour and memory of our great ancestors, we commemorate this post to the anniversary of the death of Walter Rodney,  a(nother Pan-Afrikan) King.

http://www.pambazuka.org/en/category/features/65084

I give thanks for yesterday, today, and tomorrow, for bredrin and dadas in solidarity, for all the love and resources shared amongst ourselves, and all people liberating not only themselves, but others.

I pray for my families, friends and their families…….Bless our brothas and dadas, cooks, healers, mamas, peacemakers, our children, the future generations and (gran) mama earth. Ase. Ase…….

The q[/t] werd on the ground is doing it true true world cup style….working for unity everywhere from from Ayiti to Zimbabwe,[like in this hadithi] where we give thanks for the fiya, earth, air en wota this time! Mo’ blessings to people (practising and) speaking truth to power!

Hinche, Haiti-

An estimated 10,000 peasants gathered for a massive march in Central Haiti on June 4, 2010, to protest what has been described as “the next earthquake for Haiti” – a donation of 475 tons of hybrid corn seeds and vegetable seeds by the US-based agribusiness giant Monsanto, in partnership with USAID. While this move comes at a time of dire need in Haiti, many feel it will undermine rather than bolster the country’s food security.

According to Chavannes Jean-Baptiste, leader of the Peasant Movement of Papaye (MPP) and spokesperson for the National Peasant Movement of the Congress of Papaye (MPNKP), the entry of Monsanto seeds into Haiti is “a very strong attack on small agriculture, on farmers, on biodiversity, on Creole seeds… and on what is left our environment in Haiti.”

While Monsanto is known for being among the world’s largest purveyors of genetically modified seeds, the corporation’s spokespeople have emphasized that this particular donation is of conventional hybrid seeds as opposed to GMO seeds. Yet for many of Haiti’s peasants, this distinction is of little comfort.

“The foundation for Haiti’s food sovereignty is the ability of peasants to save seeds from one growing season to the next. The hybrid crops that Monsanto is introducing do not produce seeds that can be saved for the next season, therefore peasants who use them would be forced to somehow buy more seeds each season,” explains Bazelais Jean-Baptiste, an agronomist from the MPP who is currently directing the “Seeds for Haiti” project in New York City.

“Furthermore, these seeds require expensive inputs of synthetic fertilizers and pesticides that Haiti’s farmers simply cannot afford. This creates a devastating level of dependency and is a complete departure from the reality of Haiti’s peasants. Haitian peasants already have locally adapted seeds that have been developed over generations. What we need is support for peasants to access the traditional seeds that are already available.”

Who is La Via Campesina?

We are the international movement of peasants, small- and medium-sized producers, landless, rural women, indigenous people, rural youth and agricultural workers.

We defend the values and the basic interests of our members. We are an autonomous, pluralist and multicultural movement, independent of any political, economic, or other type of affiliation. Our 148 members are from 69 countries from Asia, Africa, Europe, and the Americas.

(re) introducing the q[/t] werd: a video diary

It ain’t no mystery that we (been) preparing for dis’ (not-so) new film & video projects: nekkyd & the Q[/T] werd. 

season 1 features 32[+4]stories en the magic is in  retelling of OUR stories

some of the [extra] ordinary people featured [en behind the scenes] include: anitafrika dub theatre, blackness yes! and blockorama, bombastic kasha, bunge la mwananchi, bredrin and dadas in solidarity, colour me dragg, [is] the crux, deb singh, Elijah Masinde, elimu sanifu, faith Nolan, funkasia, the funketeers, gender education and advocacy project, house of munro, Ishtar, kalmplex, nikki mawanda, nneke dumele, red lips. cages for black girls, swagger, tajudeen abdul raheem, victor mukasa, en the Yoruba house project

A love letter to rafikis, [aka.] bredrin and dadas in solidarity.

 

b is for blackness yes! and blockorama